Your Brand is the Artist’s new Job Description

Hey Artist, what does your BRAND look like?

A can of Artist Soup

Branding: The word ARTIST should be curved a bit shouldn’t it? It makes the can look flat.

Along with change, comes opportunity for artists

I hadn’t really developed brand for myself like I should have. I’ve been a freelance illustrator for almost 25 years and for the first 20 or so, it was business as usual. In the last five to seven years I’ve seen more changes in our industry than ever before. In some ways I must confess that if given the choice to see big changes or keep business as usual I would have ignorantly chosen the latter. Change isn’t fun. Change can be hard, change is usually painful. Change is scary because not knowing feels insecure and most of us crave security. But the reality is that change is on the menu to stay – so our choices are to dine or leave the restaurant and starve.

Being your own boss can be tough, “I hate my boss?”

In the past you were odd if you called yourself a freelancer. To most of the “normal” 9-5 crowd a freelancer was synonymous with freeloader or at best someone living on the fringe. Over time freelancers have become more mainstream. Most freelancers (myself included) own their job. In other words, they get an assignment from a company and then through their skills, crafts, or abilities satisfy that assignment. If they aren’t working they usually aren’t earning so while they have more freedom they still have to work to earn. And often, they/we work longer and harder.

Branding, A new job description for Artists

Now we’re seeing a whole new job description – The artist as “The Product”. Greg Spalenka a world renowned illustrator calls it “Artist as Brand”. In the past and present artist relied on companies to function as the liaison between them and the consumer. For gallery artists it was the gallery. For book illustrators – the publisher. For video game artists – the studio. These entities provide big money to produce and market products using art – the kind of money few artists could generate or commit to themselves. The artist’s risk is time – the companies risk is money. A symbiotic relationship that was virtually the only way – until now.

Artists now have a direct line to the consumer

Don’t get me wrong – I’m not saying that the days of these entities are over by any means but their roles are changing very quickly. The internet has in many ways leveled the playing field. Artists now have a direct line to the consumers for the products they create. “Never before in the history of the world have artists had the opportunity to reach their audiences so efficiently.” ~Wayne Andreason  If you’re a fine artist you can develop a following through a website, social networking, blogging, emailing, etc. And don’t forget Pinterest. The same is true for children’s book illustrators, Picture book artists, graphic novel and comic artists, as well as art educators and so on. You say you want to produce your own video game? What’s stopping you? Many iphone games are now being produced by solo tech savvy artists or artists teamed up with a tech person. A simple upload to itunes and if the game is good they could start raking it in. “Were going to need a bigger rake!”

Nobody will hire me is no longer a valid excuse

The idea is that you can no longer use “nobody will hire me” as an excuse not to produce your own products. Many companies will go out of business in the near future. Many will adapt and thrive. For me I’m looking at each new request for my services in a different light. I’m trying to balance my freelance assignment time with time spent on producing my own projects.

So Write and Illustrate the children’s books

I’ve realized that even though I’ve been illustrating children’s books for over a decade and sold over 750,000 books (all combined) a very small percentage of my audience associates Will Terry with the books I’ve illustrated. This is a huge problem! We usually buy name brand products because people associate the brand with quality. I need to be constantly working on the Will Terry brand and for me one of the easiest ways to do that is to also start to write some of the books I illustrate. The reality is that it’s an authors world and illustrators really take a back seat in many ways. As I see it an illustrator can complain or become an author. Or take a backseat.

Take control of your own branding with technology

Last year as I was getting my brain around the changes I was seeing in art related industries I became frightened and depressed. The insecurity was really getting to me. Now that I’ve started to take control of my own branding I’m finding the future exciting and I’m always thinking of new ways to take advantage of the technology that has fallen in our laps.

Change is coming and it will keep coming. Go with it. Create your brand. Use the technology that is so readily available. Promote yourself. If needs be, start writing.

Tips for New Illustrators and Art Students Part 3

 12 tips for New Illustrators and Art Students Part 3

Artist Paul Mann hard at work in his studio.

Artist Paul Mann hard at work in his studio.

            -1 Things I’ve Done as an Artist

Getting What You Want as an Artist

There are people out there who ask me ‘Other than being a big mouth and starting a YouTube channel what have you done?’ (And if there aren’t there should be, because it’s a valid question)

I started Folio Academy with my good friend Wayne Andreason, where we sell video tutorials. I have made 3 e-books, (see here, here and here) which have sold over 50,000 copies on amazon and Barns & Noble.

A story app called “I Eat You” for iPad and iPhone.

The school of visual storytelling.  With Jake Parker, where we teach live online classes.

Now I am working on an app called Gary’s Place, about a gopher who lives beyond his means.  I am working very hard on that right now. (Fall 2013) I even have my son Aaron learning how to program and animate for that. Yes I’ll pay him for his work.

These are things I’ve picked myself, and I’ve decide that I will try, and if it fails then so what? I can move on to something else.

Now as for helping you, I want to tell you.

                2- ‘Wealth is created in your spare time.’

Think about that a little bit, and my follow up is, I want you to ask yourself what you think you need.

If you could look into the future and see yourself after you’ve finished an amazing project. That is having great commercial success. And aside from all the money you’re making, and the conferences you’ve been asked to speak at, and the recognition and awards.

Now after seeing all that, if you could see what it took to get there,

Would you give up some of your Friday and Saturday nights to work on your art?

Would you live in a smaller apartment or house so you could work less at a job, and work more on your art?

Would you go for a cheaper cell phone, and save money to apply towards your art projects?

Would you spend less time watching TV and movies for your art, and I mean a Lot less time?

Would you play fewer or no video games for your art?

And if you are not willing to give up those things then I want you to say this and see how it sounds and feels coming out.

“I would rather hang out with my friends, spend this money, hang out with friends, watch TV, and play video games than have my dreams come true about becoming a (state your dream here)”

I see a lot of my students wasting time, and I’ll come clean I used to be addicted to Star Craft.  I lost two years of my life to that stupid game.  I have come to the point that if a game is really good, I can’t play it, because I don’t have the time for it.

You need to be able to fall in love with your art and creating your art.  Not the things that will keep you away from it.

        3- Make Great Art

The first step, as author Neil Gaiman said is ‘Make great art.’

That’s the first step, but it’s not the only step and it’s not an easy step.  It takes a lot of practicing, and work, a lot of NOT surfing on the internet.  A lot of just sitting down, drawing and painting and working on your craft.

If you’re starting out right now, you may not be making great art.  Nobody starts out great.  The idea of child prodigies in art is a debunked myth. An artist like Mozart who has had movies made about him, and books and is really well known was virtually unknown for the first ten years of his career.

Next step is… Continue reading

ONLINE CHILDREN’S ILLUSTRATION CLASS – SOLD OUT

Online Children’s Illustration Class – Update

Jake and I are so pleased that our FULL class has SOLD OUT – but we still have the LITE class available for $150. We are humbled to realize that artists all over the world trust us to share what we’ve learned about creating illustrations for stories like children’s books and comics. What is possible today wasn’t possible only a few years ago and it is my belief that we will find learning online more and more common in the coming years. I believe that is why FolioAcademy is doing so well. To think that we can broadcast from our little town in Utah USA to anywhere in the world is mind blowing and proves that if you work hard and dream BIG you can do it! The little map above shows how spread out our current enrollment is to date – but it’s still growing!

FAQ’s:

How long will I be able to purchase the LITE version of the class? We will keep the video only version of this class available until July 10th 2013- the last day of the LIVE class. If you want to watch all of these classes – get the details by clicking here.

What format will the LITE class be in? The LITE version of the class will be in an MP4 or WMV file or both.

If I buy the LITE class how long can I view it? If you purchase the LITE class you will be given a download link to have the complete video files on your computer for as long as you like.

Will I get any feedback with the LITE version? No – we produced two price points to account for the time we will spend with FULL version participants – the LITE class will deliver the recorded version of the FULL class without the critiques, class questions, draw-overs, and skype call.

What materials will I need for either the LITE or FULL class? The assignments we will give will all require drawing instruments like copy paper and pencils (or tablet with drawing program). Adding color to your assignment is optional. You could use Acrylic, Oil, Pastel, Watercolor, Gouche, Ink, or Digital. I advise my students to avoid colored pencil unless it’s mixed with an aqueous media like Watercolor because it takes a tremendous amount of time to build up color while controlling texture. Most illustrators avoid it as a stand alone medium for this reason.

If you have any other questions pertaining to the class I welcome them and will add them to this list if they are pertinent to participants.

TO IMPROVE YOUR ART WORK, COPY YOUR MENTOR’S!

Copy THE ARTWORK OF OTHERS TO IMPROVE YOUR OWN ART WORK!

In this video I discuss the fact that public schools didn’t prepare us to learn art (big surprise right?). The fact that there are rules in every creative field like writing, dance, music and yes – even sports… Why then do we often fail to apply the same rules to the visual arts? From public school through college many students report that they were never taught concrete rules to help them find the boundaries that focus their creative energy into successful drawings and paintings. In the video I give advice on what I think you should do, like copy your heroes to improve the quality of your own visual art.
No wonder so many students and artists are looking to FolioAcademy.com and analyze their favorite artist’s or mentor’s  artwork for tips and help.

Professional Illustrator & Fine Artist, Greg Newbold

We’re proud to introduce Professional Illustrator, Fine Artist, Greg Newbold to Folio Academy.

Greg began his career as an illustrator back in 1992. His developed his style using mostly acrylics and in that time has worked for some really impressive clients: Simon & Schuster, Random House, Heinz Foods, Harper Collins, Smuckers, Pilgrim’s Pride, Kleenex, Boy’s Life Magazine and Sony Pictures. He has also illustrated several children’s books, including The Barnyard Night Before Christmas (Random House 2007), The Touch of the Master’s Hand (Stellar Books 2007) and companion books Winter Lullaby and Spring Song (Gulliver Books/Harcourt 1998; 2001).

Greg has received many illustration honors from The Society of Illustrators (NY), Communication Arts, The American Institute of Graphic Arts, Graphis, The Los Angeles Society of Illustrators, Spectrum and others. In addition Greg also works on commission with his gallery work which is found in many private collections.

Greg lives with his family in Salt Lake City Utah and enjoys gardening, camping, and fishing in Utah’s back country.

In Greg’s Video series, Conquer Your Acrylic Demons, he shows many of his secrets in acrylic painting and shows you why you shouldn’t hate acrylics “the demons”. Many artists dislike acrylics because they behave so differently from oils. Through a step by step process Greg demonstrates the unique qualities that acrylics offer.

To watch a sample video of Greg’s course click here.