About Wayne

Wayne is one of the manager dudes at FolioAcademy.com, a site where anyone can learn to improve their artistic abilities with a growing compilation of video lessons from professional artists helping you with your craft by teaching you their secrets and techniques.

Pumpkin Carving Ideas

HOW TO CARVE A PRIZE WINNING JACK-O’-LANTERN  

50% off till Halloween

Big mouth pumpkin with horns and crazy eyes.

I’m very happy to announce TWO things  today. Our new video course staring me, Wayne Andreason, How to Carve a Prize Winning Jack-O’-Lantern, and even though it is only $9.99 we are offering it at half price through October, Happy Halloween.

50% OFF? How so? Promo code pmpkn

You will have to go here to our secret promo code page that is truly hard to find with out a link. I have always have a tough time finding it every time I try to link to it or send it to someone and I work here. And type in the promo code pmpkn that’s all lowercase by the way.

Could You Just Carve a Cool Pumpkin Like This without buying the course?  

An artistic cat such as your self probable doesn’t NEED to sit and watch me carve this thing. You could pretty well look at it and just do one yourself, or one like it for that matter, BUT if you like that step by step instructional video courses that we offer then by all means, purchase this one while it is only $5 and give it a look.

Why I carved this great pumpkin.

Last year my mother-law, who lives in my home unfortunately, (unfortunately for her of course, did you think I was complaining?) had this BIG Halloween Work Party and the highlight was their Big old Pumpkin Carving Contest. So naturally she made me carve her pumpkin. Yes, they said anyone in the family could carve a pumpkin and grandma, that is what we call my mother-in-law, could enter as many as she wanted. In fact my boy Zeke who helped me, I mean, whom I helped a little, OK, a lot with his pumpkin, took second place with his Jack Skellington looking pumpkin.
So I decided to carve the winner and let grandma pay for the parts. So we bought the pumpkin etc. and I made my daughter film it so I could pass it on to all you peeps.

Pumpkin Carving Process.

I start by designing it, drawing it, then drawing the face on the pumpkin, gutting it, carving it and then sculpting out the teeth, and the tongue. I attach the eyes, horns and tongue then carve a little pumpkin to put on the tongue and then paint and attach the little guy.

$50 GRAND PRIZE WINNING PUMPKIN!

(that does not say 50grand as in $50,000)
Grandma was so happy she spent the money on me and the kids. Ice-cream for the whole family. It is a lot of fun, you should do it, then you’ll have some cool pumpkin pics to put on Facebook or a video on youtube. And you may win a the prize at the company party.
Halloween is almost here so I better go clean him off the front porch and make room for this years pumpkins and Jack-o’-lanterns. Besides, I don’t want any trick-or-treaters slipping in him and getting hurt.

HOW TO WRITE A CHILDREN’S BOOK FALL SALE 30% OFF

How To Write A Children’s Book

I’m very happy to announce TWO things this morning. The launch of Ann Cannon’s Folio Academy video – “How To Write A Children’s Book” and our Fall 30% off Sale at Folio Academy on the entire store! (use code: fall3 but you have to find the promo page and it is hard to find. http://folioacademy.com/promo.html  )


Ann is a very accomplished author of children’s books. She has published tons of books and written way more than that. She is busy doing what she loves. Like and artist.

So about 6 months ago we asked her if she would be interested in making a video tutorial. We wanted a lesson designed specifically for illustrators and beginning writers. Let me be Frank, my good friend here, Will Terry probably wanted that video for himself. With all the possibilities of indie publishing both traditionally and in electronic form becoming available – the demand for the kind of information packed in her tutorial is going up.

It took us a while because Ann is a busy woman who also writes a weekly column for the Salt Lake Tribune but we finally got time where we could all get together. I really hope this video helps the illustrator who wants to create their own story.

BIG FALL SALE! 30% OFF ALL OUR TUTORIALS!

….AND – you can get it for 30% off for till Oct 16th if you use this secret code: fall3 at our secret and hard to find, promo page …after, like Oct 16 at midnight or some where around there depending on what time zone you live in, that the sale ends, and no, we don’t know if there will EVER be another sale at FolioAcademy. Feel free to call Will Terry and ask him, but he doesn’t know either. But between you and me and the lamp post, we probably will sooner or later. Want Will’s number?

Here is one of Ann’s latest books and you can check out the tutorial here.

Don’t Let “THEM” Define YOUR Success!

Don’t Let Them Define Your Success!

A Self Defeating way of thinking. 

Too often I hear up and coming illustrators, animators, and comic book artists say, “Hopefully I can make it someday and get freelance work.” This is a self defeating way of thinking…if you never get hired does that mean you didn’t make it? Is there a such thing as all or nothing as an artist? Is this easy for me to say because I make a living with my art?

Keep Creating even if you aren’t “working”.

I don’t think so because I remember those very discouraging times when I wasn’t getting work. But more importantly I would be creating art even if I wasn’t getting hired to complete freelance assignments. I don’t create for my clients – I create for myself. My publishers get to publish my work. I own it and stand behind it and even though I work closely with them they don’t own it – I do. I take responsibility for the quality of my work and place a higher standard for myself than my clients demand – therefore – it’s mine.

Do Commissions Equal Success?

The problem with thinking that assignments equal success is that you let forces outside of your control define your value. It’s a dangerous game to play because at what point to you throw in the towel and say, “well, time to quit – nobody hired me.” Success can be defined in many ways and I understand the need to generate income with your craft. I think it’s important to remember that some artists start earning a decent income within a year after school. Some might take 1-5 years. Some much longer.

What if you don’t find work right away?

I once had a student who stated, “I need to start earning money with illustration right after graduation.” I didn’t know quite how to answer that and I failed to give a good answer at the time. What I would say today is this: “So, what if you don’t? does that mean the past four years was a waste of time? What if you could see the future and you are able to generate more money than you could imagine but it takes you 10 years to get to that point – is that worth it? Do you have the commitment to make it through the 10 years of below expected income levels? What if your experience was like my friend who struggled for 4-5 years after school and then was asked to illustrate: “A Series of Unfortunate Events”? Would that be worth it?

The tendency is to want the rewards with little sacrifice. If you really truly want it you will have to dedicate your life to it – this is good news for most because you’re in control of it! You have many years ahead of you of hard work! Embrace it. Fall in love with it. Cherish the time you have with your craft.

What does “success” mean to you?

If being successful means being chosen to work for someone else – you might be disappointed if your work is easily good enough but you aren’t being seen by the right clients.

If being successful means earning enough money to pay your bills – you might be judging your potential before your work is marketable.

If being successful means winning awards – you might be creating art that is unappreciated by the trend police.

If being successful means selling a certain quantity – you might be disappointed if the right audience never sees your product.

The previous is inspired by Seth Godin who says we’re now living in a time where you can’t afford to wait for someone to pick you – rather you must pick yourself.

Nobody hired me to make ebooks but I picked myself and published them.

Nobody hired me to make video tutorials and online classes but I picked myself and created them.

Nobody hired me to run my youtube channel but I picked myself and publish videos every month.

Nobody hired me to write this blog but I picked myself and now I have a place to share my ideas.

If you set attainable goals you can be successful every day, month, and year. It starts with a commitment to excellence and improvement. It ends when you die. I can promise you that I will be creating art until that day. I don’t work -I create. I live and breathe knowing that I have much more to give. I am successful because what I create makes me happy. Do you want to be an artist? Then be an artist and be successful by your definition, not THEIR’s.

Liberty, the world’s longest tie-dye is back

Orriginal Record Holder Demands a Recount. (re-Measure)

Liberty: World Record, Largest Tie-Die

Worlds Largest Tie-Die

The current, or previous world record tie-dye held by Artist Masami Shaingai of Tokushima Japan is considered a part of Japanese national heritage, so Guinness requested a re-verification of the new world record held by American artist Inez Harwood.

Liberty took four months to tie-dye.

Using over nine-thousand zip ties to hold the 950 pounds of fabric and one-hundred-twenty pounds of dye. (Dry weight) Dye that was generously donated by California based company Dharma Trading Company, who helped get the word out about the project on their blog. On rinse day, fire rescue volunteers pumped approximately 300, 000 gallons of water to rinse of “Liberty”. Official measure of Liberty is 2945 feet and 7 inches, 200+ feet longer than the record held by Artist Masami Shaingai ofTokushima Japan. Shibori, the Japanese version of tie-dye is a traditional art in Japan and the current Japanese world record is considered a part of Japanese national heritage, so Guinness requested a re-verification of the new world record held by American artist Inez Harwood. The official remeasure will be calculated by Greg Loweden of Hunt Land Surveying Inc. of Weaverville California. Since the first measure was completed while the fabric encircled two holding pond and was still wet from the rinse, Lowden feels the remeasure could be significantly longer. He has started a local betting pool to benefit the local high school, that offers a prize to the person who can guess the exact measurement of Liberty. (email glowden@velotech.net for more information)

Contact: Inez Harwood (646)397-5385 or (801)874-6184 inez@greyforeststudio.com vibrantprotest.com

Contact: Terry Nagle (530)739-9366 terry@unseen-arena.com unseen-arena.com

Last March Artist Inez Harwood set out to break the world record for longest tie-dye. Harwood wanted fabric sourced from cotton grown in the United States, however finding a piece of domestic fabric long enough to break the world record wasn’t easy.   The search for fabric made from domestically grown and milled cotton took many months as Harwood searched local textile suppliers, the internet and finally, took to calling textile mills; through this research Harwood found that a very high percentage of American cotton is outsourced to places like the middle east and China for the spinning and weaving process, then shipped back to the U.S. The search ended in the discovery of Inman Mills in South Carolina. “I care about the American’s who have lost their cotton textile jobs. So I named my world’s longest tie-dye, Liberty that’s how this became my vibrant protest. “Says Harwood.Expecting to pay a premium, Harwood was surprised that the price of the high quality domestic fabric undercut the foreign equivalent by a significant percentage.

Liberty took four months to tie-dye. Using over nine-thousand zip ties to hold the 950 pounds of fabric and one-hundred-twenty pounds of dye. (Dry weight) Dye that was generously donated by California based company Dharma Trading Company, who helped get the word out about the project on their blog. On rinse day, fire rescue volunteers pumped approximately 300, 000 gallons of water to rinse of “Liberty”. Official measure of Liberty is 2945 feet and 7 inches, 200+ feet longer than the record held by Artist Masami Shaingai ofTokushima Japan. Shibori, the Japanese version of tie-dye is a traditional art in Japan and the current Japanese world record is considered a part of Japanese national heritage, so Guinness requested a re-verification of the new world record held by American artist Inez Harwood. The official remeasure will be calculated by Greg Loweden of Hunt Land Surveying Inc. of Weaverville California. Since the first measure was completed while the fabric encircled two holding pond and was still wet from the rinse, Lowden feels the remeasure could be significantly longer. He has started a local betting pool to benefit the local high school, that offers a prize to the person who can guess the exact measurement of Liberty. (email glowden@velotech.net for more information)

Harwood visited the Trinity county area this month to attend several meetings with local civic leaders, businesses and artists aimed at blustering the local economy through e-commerce and tourism centered on the Saint Francis Festival and an official re-measuring of Liberty the worlds longest tie-dye. Harwood’s focus is on attracting attendees of the remeasure event to local businesses and events taking place during the Saint Francis Festival. In her interview with ABC (channel 7 news) Tracy Leong, Harwood said, “ I think we should start voting for the home team.” Harwood believes that if U.S. citizens choose to buy American products first, the current economic crisis will resolve itself. (to see a webcast of the interview visit http://vibrantprotest.com/2013/08/13/vibrant-protest-liberty-is-going-places/If you are interested in seeing “liberty” the worlds longest tie-dye it will be on display at the Unseen Arena in Hayfork California during the Saint Francis Festival September 25th– October 6, 2013. To find out more visit vibrantprotest.com or unseen-arena.com

Fine Artist, Simon Winegar is Still Painting

 Simon Winegar is still painting fine art and doing a great job.

FolioAcademy salutes our own, extremely talented artist and instructor, Simon Wineger. He is still painting and still loving it. Way to go Simon!

Simon Winegar is one of our many wonderful artists offering their talent, tips and training at folioacademy. He can paint, he can teach he can sell.

Simon Winegear is just finishing up this fine art oil painting.

This one is part of his “Bones of America” series. The barn comes from an area north of Logan Utah near the Idaho border. A great structure with slight remnants of it’s original red color streaking down the front.

Just finishing up this piece. This image also comes from my "Bones of America" series. This barn comes from an area north of Logan Utah near the Idaho border. A great structure with slight remnants of it's original red color streaking down the front.

from my “Bones of America” series

 

Are people still buying Fine Art?

Apparently they are still buying fine art. Sorry folks, this beautiful piece is already sold to a collector who just can’t get enough of Simon’s work.

Lavender Fields 8x10 Oil by Artist, Simon Winegar

“Lavender Fields”  8×10 Oil  by Artist, Simon Winegar

 

This Oil Painting of a red quaky didn’t last long at the gallery.

The Red One, Represented by The Mission Gallery, it Came in…Spent the night…and Sold in the morning morning! February 2, 2013

SOLD: "The Red One" Oil 9"x12" ARTIST: Simon Winegar Represented by The Mission Gallery Came in yesterday...Spent the night...Sold this morning!

“The Red One” Oil 9″x12″

Last I heard, the following piece was still hanging.

Another fine piece, possibly available, by Simon Winegar.

Painting of a tree in front of a reddening sky

As the Sky Goes Red

This piece titled, As the Sky Goes Red, may still be hanging in the Mission Gallery.

Oil on Panel, 8"x10"

Season of Undoing,’ Oil on Panel, 8″x10″

So Get out and Paint! 

Makes you want to get out and paint. Or buy some nice work. You know what they say, “If you can’t paint, buy from someone who can.” Or Learn from someone who can. Be it Plein air, out doors, oil or what ever, it is never too late to get started.

See more on page 2. 

Do I Need a Rep or Agent to Sell My Artwork?

Artist Will Terry specifically answers the big question,

Is it worth it to hire that Rep?

Agents and reps are struggling too right now.

Thanks to the internet, you are competing with a lot of other artists, but you are also allowed to, and can afford to compete with everyone.

Will Terry used to spend up to $7500 to advertise in one workbook, before the WWW in the mid 90’s.

Advice For illustrators

Will Terry answers more questions in this video

When we going out to lunch?

Tips on lighting.

How to value a rendering done by a student, are you bias?

How do you choose color for your color schemes?

Do I need a Rep?

What should I do to keep my skills sharp?

Style? How to find your style and should you stick to just one niche?

Is it a viable option to print my books on good paper and try that?

Will went through all the great questions that were after our last post and in this video he answer as best he can. Thank you for your great questions.

FolioAcademy is dedicated to help any who want it, become better artists.

I Draw, but How Can I Make Money With It?

Professional Artist, Will Terry Answers a few good questions.

In this video Will Terry of folioacademy, answers a question from David – a Southwest Airlines employee who has 3 days off/week and loves to draw comics during his down time. He actually made a video in-which he asked what steps he should take next to getting his work published. We figured that other artists too, might be in his situation and might benefit from some answers. Give it a look or just listen to this video, (there is audio) while you work or what ever.

Fold 1000 Origami Cranes and Your Wish Will Come True?

Artist and iPad designer/developer, Heidi Berthiame, is putting the legend to the test. 

It is said those who fold 1000 origami cranes will have their wish come true.

Heidi Berthiame, has been working hard toward her goal or wish, (we are yet to discover what that is) for the past two and a half years. Perhaps in a last ditch effort to see her wish come true, she started folding 1000 origami Wish Cranes in January of this year.

Because getting the Crane folded is not the end goal, but rather the end results, it takes her about six minutes to fold each Wish Crane. That time is spent thinking about her wish and how she can best do what ever it will take to make it come true. That time is a break from what has to be done to contemplate what could be done. That time is well spent, every day.

She currently has over four hundred Wish Cranes completed. In November, she will finish folding the final one.

She said, “I do not know when my Wish will be granted, but I do know …

I will have *a lot* of origami Wish Cranes.”

Thus she has started a Kickstarter project. And yes, it has funded. 

FolioAcademy salutes Heidi Berthiame. Congrats and way to go!

You can give a Wish Crane a home? There are about two days left for the Kickstarter but you may be-able to contact her as for a Crane at the same Kickstarter page.

If you pledge, you will receive one of the origami Wish Cranes that Heidi has personally hand crafted this year. She says that she will rejoice that it has a new home, and perhaps that Wish Crane can aid a wish of yours to come true, too. So if you can provide a good home. . . make a pledge.

The origami Wish Canes are created from 3 inch x 3 inch patterned paper, which comes in five designs.

Each Wish Crane is folded by hand, therefore they lack a machine’s precision but have a craftsman’s uniqueness.

All Wish Cranes are numbered under one wing, ranging from 1 to 1000.

The number and pattern of the Wish Crane you receive will be randomly chosen when she reaches into the flock and closes her fingers gently upon a single wing and withdraws that crane – kind of like The Claw in the movie Toy Story, but with less vocalizations for her origami Wish Cranes are all silent species. At least whenever there are people around.

The Funding Goal was only $25 because that is how much she needed to pay for the additional paper necessary to fold the remaining Wish Cranes.

The Pledge Reward is set to $3, which covers supplies and shipment of one Wish Crane to wherever you are in the world. (even Utah)

The Pledge Limit is set to 999 because Heidi will keep one of the Wish Cranes for herself. So she is folding 1000 origami Wish Cranes and hope to send 999 to new homes, where they can live happily ever after and perhaps help fulfill a new Wish.

It is possible a Wish Crane may go missing after it leaves my house and before it reaches yours. I will pay to ship a replacement Wish Crane if yours does not arrive within 30 days of being shipped. Replacement Wish Cranes will not be numbered but will be folded from the same kind of patterned paper as the original 1000 Origami Wish Cranes.

And if her wish comes true, maybe she will tell us what that wish was.

P.S. I just re wrote (plagiarized) what Heidi already said on her Kickstarter page.

RISKS AND CHALLENGESLEARN ABOUT ACCOUNTABILITY ON KICKSTARTER

Learn The Will Terry Acrylic Dry Brush Style

Learn The Will Terry Acrylic “Dry Brush” Style 

Here is a little acrylic sketch that FolioAcademy artist/instructor Will Terry did awhile ago. I was a fellow Art Student with him in college back when he was trying to find his niche and style. I remember him looking for a real toothy texture that would peal the paint off his brush. It took him years to master this style but it was worth it.

He eventually developed his own recipe for a painting. The ingredients include thumbnail sketches and getting the drawing designed just right and transferring that onto the paper.

Then getting the texture just right with a clear gel medium that would allow the drawing to show up perfectly.

He then tones the surface usually with a medium value color then adding dark paint where needed and then gradually, using a DRY brush and very little paint, he adds lighter and lighter acrylic paint. Light on Dark.

He teaches this process here at FolioAcademy.com, Just click on the link and purchase his tutorial.

Acrylic Painting by Will Terry

Acrylic Painting