How to Make an App – Step 2

How To Make A Story App – Step 2

Get Acquainted with the Market

Often I see artists embark on a journey without knowing how people made the same trip before them. The pioneers before you encountered the same problems you’re going to encounter and looking at their solutions will make your project much easier. The more you consume the more you will develop your own opinions about what works and doesn’t work. In addition, when you look at great art it inspires you to be great and the ideas begin to flow.

But where can I find great story apps?

I’m so glad you asked! You need to check yourself into Digital Storytime! There’s a screen shot from their site right below here. I like to click on “Quality” and then “Overall Rating” to see what they think are the best story apps. I devour these being aware of  the commonalities of each one. You may want to ask yourself,

Do they all have read to me files? Do they have static text or highlighted text? Do they offer them as options or are you stuck with the read to me file and highlighted text?

 

Tune into #Storycppchat every Sunday night.

Next, you need to tune in to #Storyappchat every Sunday night at 9:00PM Eastern 6:00PM West Coast. This is a twitter chat where anyone is invited and there’s a new topic about story apps each night. The information being shared is pure gold if you’re looking to produce your own apps.
I’ll be back soon with step 3 and don’t forget to check out our Kwik class that begins in October 2013 – and you can always sign up for the video only version – the recorded live classes.

check back this September 27 for step-3.

 

How to Make an App – STEP 1

How to Make a Story App – Step 1

Step 1 – Start with a GREAT story!

I’m going to be blogging about the progress on my new story app “Gary’s Place” from now until it’s for sale in the app stores – and beyond – even updates on my sales figures. This is really scary because I’m promising to do something that I haven’t done yet. In fact there’s a voice yelling inside right now begging me to delete this and stop writing. But – here we go…

Step 1 – Start with a GREAT story!

I came up with an idea for a story about a gopher who isn’t content with his home. It had a good beginning, middle, and end but I couldn’t write a good manuscript because I don’t have enough writing experience.  So – I approached Rick Walton, a well known children’s book author and friend (over 90 published books – google screen shot above) and asked him to read my story and write it if he liked the idea. In a ridiculously short time he turned it into gold. Yes I will cut him in for a large percentage and yes it took him no time but I believe it will be worth every penny. He’s been writing for over 25 years and his experience shows.

The story is THE most important part of a story app. Illustrations, music, character voices, animation, games, coloring activities, things that giggle, wiggle and jiggle won’t make it a great app!

Often we don’t hold ourselves to the same quality standards we expect from the goods and services we consume. We want to see movies with a great story and cinematography asking friends and family for recommendations before dropping money at the box office. But do we provide the same when writing for a book, app, or e-book? If you don’t have the writing skills are you working hard to develop them? Have you considered partnering with a professional author?

I get emails, messages, and phone calls here at Folio Academy every week from authors looking for illustrators to partner with. Professional authors often have a huge back list of manuscripts that have never been published – usually much larger than their printed books. I guess a good question is will having a great story sell enough apps to offset the percentage or payment you’ll have to give up to an author? I think so. I believe that a smaller percentage of a GREAT project is worth much more than a larger percentage of a Mediocre project.

Did you know there are thousands of movies produced each year? How many can you name from 2013? My point is that if you aren’t producing the best who will care?

But Will, you’re a professional illustrator so it’s easy for you to work with professional authors.

Sure – it’s probably easier for me to strike up a conversation but from the sheer numbers of authors I’ve been approached by I know there’s a huge need out there and it’s only going to grow. If you’re passionate and committed I doubt you will have trouble talking an author into letting you take a crack at bringing one of their stories to life.

So check back say, Monday the 23rd, for Step 2 as I share my progress reports!

 

Don’t Let “THEM” Define YOUR Success!

Don’t Let Them Define Your Success!

A Self Defeating way of thinking. 

Too often I hear up and coming illustrators, animators, and comic book artists say, “Hopefully I can make it someday and get freelance work.” This is a self defeating way of thinking…if you never get hired does that mean you didn’t make it? Is there a such thing as all or nothing as an artist? Is this easy for me to say because I make a living with my art?

Keep Creating even if you aren’t “working”.

I don’t think so because I remember those very discouraging times when I wasn’t getting work. But more importantly I would be creating art even if I wasn’t getting hired to complete freelance assignments. I don’t create for my clients – I create for myself. My publishers get to publish my work. I own it and stand behind it and even though I work closely with them they don’t own it – I do. I take responsibility for the quality of my work and place a higher standard for myself than my clients demand – therefore – it’s mine.

Do Commissions Equal Success?

The problem with thinking that assignments equal success is that you let forces outside of your control define your value. It’s a dangerous game to play because at what point to you throw in the towel and say, “well, time to quit – nobody hired me.” Success can be defined in many ways and I understand the need to generate income with your craft. I think it’s important to remember that some artists start earning a decent income within a year after school. Some might take 1-5 years. Some much longer.

What if you don’t find work right away?

I once had a student who stated, “I need to start earning money with illustration right after graduation.” I didn’t know quite how to answer that and I failed to give a good answer at the time. What I would say today is this: “So, what if you don’t? does that mean the past four years was a waste of time? What if you could see the future and you are able to generate more money than you could imagine but it takes you 10 years to get to that point – is that worth it? Do you have the commitment to make it through the 10 years of below expected income levels? What if your experience was like my friend who struggled for 4-5 years after school and then was asked to illustrate: “A Series of Unfortunate Events”? Would that be worth it?

The tendency is to want the rewards with little sacrifice. If you really truly want it you will have to dedicate your life to it – this is good news for most because you’re in control of it! You have many years ahead of you of hard work! Embrace it. Fall in love with it. Cherish the time you have with your craft.

What does “success” mean to you?

If being successful means being chosen to work for someone else – you might be disappointed if your work is easily good enough but you aren’t being seen by the right clients.

If being successful means earning enough money to pay your bills – you might be judging your potential before your work is marketable.

If being successful means winning awards – you might be creating art that is unappreciated by the trend police.

If being successful means selling a certain quantity – you might be disappointed if the right audience never sees your product.

The previous is inspired by Seth Godin who says we’re now living in a time where you can’t afford to wait for someone to pick you – rather you must pick yourself.

Nobody hired me to make ebooks but I picked myself and published them.

Nobody hired me to make video tutorials and online classes but I picked myself and created them.

Nobody hired me to run my youtube channel but I picked myself and publish videos every month.

Nobody hired me to write this blog but I picked myself and now I have a place to share my ideas.

If you set attainable goals you can be successful every day, month, and year. It starts with a commitment to excellence and improvement. It ends when you die. I can promise you that I will be creating art until that day. I don’t work -I create. I live and breathe knowing that I have much more to give. I am successful because what I create makes me happy. Do you want to be an artist? Then be an artist and be successful by your definition, not THEIR’s.

Fine Artist, Simon Winegar is Still Painting

 Simon Winegar is still painting fine art and doing a great job.

FolioAcademy salutes our own, extremely talented artist and instructor, Simon Wineger. He is still painting and still loving it. Way to go Simon!

Simon Winegar is one of our many wonderful artists offering their talent, tips and training at folioacademy. He can paint, he can teach he can sell.

Simon Winegear is just finishing up this fine art oil painting.

This one is part of his “Bones of America” series. The barn comes from an area north of Logan Utah near the Idaho border. A great structure with slight remnants of it’s original red color streaking down the front.

Just finishing up this piece. This image also comes from my "Bones of America" series. This barn comes from an area north of Logan Utah near the Idaho border. A great structure with slight remnants of it's original red color streaking down the front.

from my “Bones of America” series

 

Are people still buying Fine Art?

Apparently they are still buying fine art. Sorry folks, this beautiful piece is already sold to a collector who just can’t get enough of Simon’s work.

Lavender Fields 8x10 Oil by Artist, Simon Winegar

“Lavender Fields”  8×10 Oil  by Artist, Simon Winegar

 

This Oil Painting of a red quaky didn’t last long at the gallery.

The Red One, Represented by The Mission Gallery, it Came in…Spent the night…and Sold in the morning morning! February 2, 2013

SOLD: "The Red One" Oil 9"x12" ARTIST: Simon Winegar Represented by The Mission Gallery Came in yesterday...Spent the night...Sold this morning!

“The Red One” Oil 9″x12″

Last I heard, the following piece was still hanging.

Another fine piece, possibly available, by Simon Winegar.

Painting of a tree in front of a reddening sky

As the Sky Goes Red

This piece titled, As the Sky Goes Red, may still be hanging in the Mission Gallery.

Oil on Panel, 8"x10"

Season of Undoing,’ Oil on Panel, 8″x10″

So Get out and Paint! 

Makes you want to get out and paint. Or buy some nice work. You know what they say, “If you can’t paint, buy from someone who can.” Or Learn from someone who can. Be it Plein air, out doors, oil or what ever, it is never too late to get started.

See more on page 2. 

HOW MANY SKETCHES SHOULD YOU SEND IN?

How Many Sketches Should You Send In?


Back in my editorial days I was always coached to send in multiple sketches and ideas for the art director to choose from. Now that I’m a children’s book illustrator I’ve come to realize that sending in multiple sketches for one page is not often the best policy. The reason: I always like one better than the other(s) and often the editor or art director will pick the one I like the least. Now it’s a let down having to paint an image I’m not as happy with.

I just created the image above for a new book I’m working on “There Once Was a Cowpoke who Swallowed an Ant” by Helen Ketteman (Albert Whitman). My working process is to send in rough sketches for the direction I’m thinking of. Then I get feedback from the art director and editor. My goal is to make myself happy and then see if the team likes it. If they do then I move to a final drawing refining details and making any alterations asked for by the team.

 


Sometimes they don’t like the direction at all and ask for a new idea -offering their suggestions. I love working this way. I’ve taken the time to explore many thumbnail sketches and ideas and I don’t want to share my rejected ideas just to offer more choice. Sometimes more choice just offers more confusion. Ever tried to order at restaurant with 100 menu items? You feel overwhelmed and start to think you’re going to miss something really good – so you spend more time reading the menu rather than visiting with the people you went to have a meal with.

I’m a big believer in working hard to develop a sketch you can’t wait to paint and then working with it until you and your team come to a consensus. I’ve taken the time to do a lot of editing in my development process and I choose NOT to share that with the creative team at the publisher.

 

Do I Need a Rep or Agent to Sell My Artwork?

Artist Will Terry specifically answers the big question,

Is it worth it to hire that Rep?

Agents and reps are struggling too right now.

Thanks to the internet, you are competing with a lot of other artists, but you are also allowed to, and can afford to compete with everyone.

Will Terry used to spend up to $7500 to advertise in one workbook, before the WWW in the mid 90’s.

Advice For illustrators

Will Terry answers more questions in this video

When we going out to lunch?

Tips on lighting.

How to value a rendering done by a student, are you bias?

How do you choose color for your color schemes?

Do I need a Rep?

What should I do to keep my skills sharp?

Style? How to find your style and should you stick to just one niche?

Is it a viable option to print my books on good paper and try that?

Will went through all the great questions that were after our last post and in this video he answer as best he can. Thank you for your great questions.

FolioAcademy is dedicated to help any who want it, become better artists.

I Draw, but How Can I Make Money With It?

Professional Artist, Will Terry Answers a few good questions.

In this video Will Terry of folioacademy, answers a question from David – a Southwest Airlines employee who has 3 days off/week and loves to draw comics during his down time. He actually made a video in-which he asked what steps he should take next to getting his work published. We figured that other artists too, might be in his situation and might benefit from some answers. Give it a look or just listen to this video, (there is audio) while you work or what ever.

Fold 1000 Origami Cranes and Your Wish Will Come True?

Artist and iPad designer/developer, Heidi Berthiame, is putting the legend to the test. 

It is said those who fold 1000 origami cranes will have their wish come true.

Heidi Berthiame, has been working hard toward her goal or wish, (we are yet to discover what that is) for the past two and a half years. Perhaps in a last ditch effort to see her wish come true, she started folding 1000 origami Wish Cranes in January of this year.

Because getting the Crane folded is not the end goal, but rather the end results, it takes her about six minutes to fold each Wish Crane. That time is spent thinking about her wish and how she can best do what ever it will take to make it come true. That time is a break from what has to be done to contemplate what could be done. That time is well spent, every day.

She currently has over four hundred Wish Cranes completed. In November, she will finish folding the final one.

She said, “I do not know when my Wish will be granted, but I do know …

I will have *a lot* of origami Wish Cranes.”

Thus she has started a Kickstarter project. And yes, it has funded. 

FolioAcademy salutes Heidi Berthiame. Congrats and way to go!

You can give a Wish Crane a home? There are about two days left for the Kickstarter but you may be-able to contact her as for a Crane at the same Kickstarter page.

If you pledge, you will receive one of the origami Wish Cranes that Heidi has personally hand crafted this year. She says that she will rejoice that it has a new home, and perhaps that Wish Crane can aid a wish of yours to come true, too. So if you can provide a good home. . . make a pledge.

The origami Wish Canes are created from 3 inch x 3 inch patterned paper, which comes in five designs.

Each Wish Crane is folded by hand, therefore they lack a machine’s precision but have a craftsman’s uniqueness.

All Wish Cranes are numbered under one wing, ranging from 1 to 1000.

The number and pattern of the Wish Crane you receive will be randomly chosen when she reaches into the flock and closes her fingers gently upon a single wing and withdraws that crane – kind of like The Claw in the movie Toy Story, but with less vocalizations for her origami Wish Cranes are all silent species. At least whenever there are people around.

The Funding Goal was only $25 because that is how much she needed to pay for the additional paper necessary to fold the remaining Wish Cranes.

The Pledge Reward is set to $3, which covers supplies and shipment of one Wish Crane to wherever you are in the world. (even Utah)

The Pledge Limit is set to 999 because Heidi will keep one of the Wish Cranes for herself. So she is folding 1000 origami Wish Cranes and hope to send 999 to new homes, where they can live happily ever after and perhaps help fulfill a new Wish.

It is possible a Wish Crane may go missing after it leaves my house and before it reaches yours. I will pay to ship a replacement Wish Crane if yours does not arrive within 30 days of being shipped. Replacement Wish Cranes will not be numbered but will be folded from the same kind of patterned paper as the original 1000 Origami Wish Cranes.

And if her wish comes true, maybe she will tell us what that wish was.

P.S. I just re wrote (plagiarized) what Heidi already said on her Kickstarter page.

RISKS AND CHALLENGESLEARN ABOUT ACCOUNTABILITY ON KICKSTARTER

Learn The Will Terry Acrylic Dry Brush Style

Learn The Will Terry Acrylic “Dry Brush” Style 

Here is a little acrylic sketch that FolioAcademy artist/instructor Will Terry did awhile ago. I was a fellow Art Student with him in college back when he was trying to find his niche and style. I remember him looking for a real toothy texture that would peal the paint off his brush. It took him years to master this style but it was worth it.

He eventually developed his own recipe for a painting. The ingredients include thumbnail sketches and getting the drawing designed just right and transferring that onto the paper.

Then getting the texture just right with a clear gel medium that would allow the drawing to show up perfectly.

He then tones the surface usually with a medium value color then adding dark paint where needed and then gradually, using a DRY brush and very little paint, he adds lighter and lighter acrylic paint. Light on Dark.

He teaches this process here at FolioAcademy.com, Just click on the link and purchase his tutorial.

Acrylic Painting by Will Terry

Acrylic Painting