Folio Academy has teamed up with Kwiksher for a limited time.

Get Four of Folio Academy’s video training courses FREE when you purchase Kwiksher. 

Bring your interactive stories to life, without code. Creating your own apps can be fun and fulfilling and now anyone can do it with Kwik 2 at kwiksher.com.

What is Kwiksher? The best way to create mobile apps from Photoshop!

click below to See Kwik in action.

Improving Your Work, Training with the Best

Alex Souza, the founder of Kwiksher says, “I am a believer that there is always space for improvement (in our lives, skills, and so on). Of course this applies to Kwik made apps.”

Picture of four bonus video courses: Beginning Photoshop for digital painting, Digital Painting in Photoshop part 1 & 2, and How to Design a Drawing

Quality is one of the top reasons for successful positions into store rankings.

Thinking about that, I partnered with Folio Academy and Will Terry, one of the top children’s book illustrators in the world, to provide quality instruction to anyone willing to improve illustration and painting skills with Photoshop.

Will’s life’s goal was to become a children’s book illustrator, and to date, he has illustrated over 25 children’s books with great publishers like Scholastic, Random House, Leap Frog, Houghton Mifflin, Dial, Albert Whitman, and Simon Schuster.

I am really a fan of what he is able to do and I believe everybody will get great insights from his blog

Every new Kwiksher customer (till end of April) will get the following four training videos for FREE.

Every Kwiksher customer can get a 50% discount (till end of April) on the following four training videos by Will at Folio Academy. But even better, all new customers who purchase Kwik 2 at Kwiksher.com will be given, all four of these wonderful lessons. ~Alex

 

  • How To Design A Drawing: explains what it means to design a drawing as well as an introduction to the design principles and elements. Honestly, I wish I had this information while in college;

Together, these tutorials cost US$100 so, don’t miss the opportunity to get them with the discounted price.

PHOTOSHOP DEMO FOR MY CLASS

Photoshop is an amazing program!

005

When I’m not working on folio academy, I am teaching at UVU.
I painted this for my class at UVU for our next assignment. I don’t work in this style so I wanted to work up a little example of what I’m looking for. I can’t tell you how much fun I have playing with different brushes and settings in Photoshop – it truly is an amazing program!

Bead it Like You Mean It

How to sew beads on fabric video course

Beads on Quilt Top

Although bead work isn’t the most common form of expression in the art community  it certainly is artwork. And can be a lot of fun and very rewarding. My friend Lyric Kinard is an artist who is also a “BEAD-AHOLIC”. Well she is addicted to creating beautiful bead work and amazing quilt art. She loves fabric and art.

New Tutorial at folioAcademy.

Bead it LIke You Mean It, the new tutorial at folioacademy.com

We are so happy to finally make available, the some of the wonderful teachings of Lyric Kinard. Bead it like you mean it is a tutorial video course offered at FolioAcademy.com. She is lively, spry, beautiful, enthusiastic and entertaining. She’s fun to learn from. If that don’t bead-all. (that was supposed to be funny)

Who is Lyric Kinard?

Picture of the artist Lyric KinardLyric Kinard is an artist with a serious addiction to fabric. Her award-winning wall quilts and wearable works of art are a product of her need and passion to create order and beauty while living a chaotic life as the mother of young children. She often says that her art is the only thing she does that is not undone by the end of the day.

Her second love is teaching, which she has been doing in various capacities for the past 12 years. She loves to share her joy in the process of transforming plain fabric into a work of art. Much of Lyric’s work begins with plain white cloth which she dyes and paints to create the palette from which her designs spring.

Her Abstracts. . .

pic of abstract,

Her abstracts begin with an emphasis on color and are created on the design wall while her pictorials begin with a specific message in mind and are often meticulously drafted on paper before cloth is cut. All of her artwork is quilted to a layer of batting to add texture and to emphasize line.

Her quilts are not just normal quilts. 

some of Lyric's beautiful work

While traditional quilts are then bound and done, Lyric often adds more embroidery or beads and even more paint if the design calls for it. This further emphasizes the dimensional and tactile quality of quilts as a medium for expression.

Close up

Lyric has studied with many well known textile artists around the country and continues to expand her skills in the area of surface design. She has a BA in English Literature from the University of Utah and has also formally studied music and architecture. She currently lives in Cary, North Carolina with her husband and five children.

Check out Bead it Like You Mean It, a wonderful course on working with beads, at FolioAcademy.com

Examples of three cool tricks.

PROCREATING! ER UM…CREATING IN PROCREATE

I created this image using Procreate on my iPad – I love this app!

Link to FolioAcademy.com Digital art tutorials

I just got back from the SCBWI Southern Breeze conference in Atlanta. I was being entertained by Dianne Hess (editor at Scholastic) as she gave her speech – an inside look at her company. I have to draw to listen so I was on  my iPad using “Procreate“. It’s my go to program for creating all of my sketches now – I love the screen rotation feature and the larger file sizes. Oh yeah – and I’m still only using my finger. I find it fascinating that it bothers people that I won’t go out and drop coin on a stylus. It bugs my students, friends, and strangers that I meet – like the guy who sat next to me on the plane. “You know you can buy all kinds of styluses for that device,” he informed me…I just agreed….by the way it strengthens my resolve to run sans stylus with each criticism.

A special shout out to Elizabeth Dulemba for inviting me to speak, being a great host, running an awesome conference, and being a great illustrator. I met so many cool people down there – too many to list but you know who you are! I hope to be able to get down there again sometime.

CRAWL, WALK, RUN, LEAP!

I created the image above for my digital painting class this semester as an example of what I want my students to do for our “circle straight edge” assignment.

The rules:

  • Create an image in Photoshop.
  • Perfect your drawing.
  • Use only the circle selection tool and the lasso for straight edges.
  • Painting: use the paint bucket and airbrush tools.
  • Concept: Visually explain why the Abominable Snowman is grumpy.

I don’t think everyone is happy with this assignment. The limitations are frustrating some of them (yay!) and locking them into a style they aren’t excited about.

My philosophy: Mastery in any discipline such as science or sports – arithmetic or art is gained in small steps.

You have to learn algebra before calculus – physics before string theory and lay ups before alley oop dunks. By taking away options I’m allowing students to focus on the basic elements of design and visual communication. If you can’t develop a solid composition and execute good rendering under these restrictions how can you hope to succeed given unlimited brushes, selection tools, textures, healing brushes, filters, adjustments, mixing and blending tools, etc?

Imagine the following experiment: You are given the best brushes and pallet knives money can buy for oil painting -fine linens, mediums, easel, pallet, etc. Your set up is perfect. Then give someone like Caravaggio a pocket knife, an old tree branch, some cheap oil paints, and a crappy canvas board. Set up a still life. Do you think you could out paint him? I know I couldn’t.

It’s not just about the tools – it’s about your understanding of mediums, surfaces, tools, design, light & shadow, edges, color, value, texture, line, space, shape, etc. What you do with the tools is personal to your understanding and vision.

Try limiting your choices…wax on – wax off.

In addition: From the mouth of Kazu – the artist who just completed the new Harry Potter covers: “Anything else about your process as you went about it that artists should know?”

I tried to work on a single layer in Photoshop. I used very few effects. All of the illustrations for the most part I didn’t separate elements. I tried to keep it pure as if I was working on a canvas. I forced myself into a limitation despite having all of these tools at my disposal. (from CBS)

New Ways To Market Your Illustration

There is still plenty of freelance illustration work out there.

In the video below I took the time to explain the changes I’ve seen happen in illustration markets over the past 20 years and what I think artists should do to take advantage of emerging markets. Yes there still is plenty of freelance illustration work out there but there are more illustrators competing for it and budgets have either remained the same or gone down.

You and I can find success in many different places.

The good news is that there are so many new possibilities for artists that unless you refuse to be open minded, you and I can find success in many different places.I give quite a few detailed examples in this video – it’s long so put it on while you work – I hope you enjoy it!
New Ways to Market Your Illustration, video by Will Terry

CAN PINTEREST HELP IMPROVE YOUR ART?

I must think so or this would be a really short post right?

First let me just say that I’m like a lot of you – “NOT ANOTHER SOCIAL MEDIA SITE!!!” I know I know – but trust me – Pinterest is worth it…and you can get in and out quickly!

I will show you how to find out what people think of your work.

For starters lets deal with that title – what if I told you that there is a way to see how your art stacks up against your competition? What if you could be that fly on the wall in the office of an editor, art director, agent, or fellow artist? What if you could know what people really think of your work? I’ll show you a very simple way to use Pinterest to do just this.

1. Make your own Pinterest account

BUT do it by logging in from Facebook or choose the setting so that every time you make a “PIN” it updates facebook.
Why? So people see your pins, visit your board, and re’pin your pins.

2. Type a Key word in the “search bar”.

In the “search” bar at the top of the Pinterest page after you’re logged in – type in something like “illustration” or “Children’s illustration” or “characters” and hit enter.

3. Click on “boards”

4. Click on a piece of art that interests you.

You might want to scroll a little – pick a goody! Ok – now pick five images to “re-pin” AND – pin them to your illustration board.  (I figured all this stuff out so if I can do it a snail can do it – I mean a snail with a high school educations. Sorry snails :( …make sure you REALLY like the images you’re re-pinning. These need to be images that you really admire and perhaps wish you’d created so be picky!  Also – if you don’t pin really good stuff people will ignore your board and that will kill this whole experiment.

5. pin one of your own images.

Now pin one of your own images and then throughout the next year or so, repeat this ratio – a handful of other artist’s images to one of your own.  I suggest you pin from your website or blog so that if people click on them they come back to your portal – but that’s not what this post is about. (You should still do it for marketing reasons.) There’s a way to download some thing-a-ma-jig to your browser so you can “pin” from any site – I don’t remember how I got it to work, you could ask a snail. I think I googled “how to pin with Pinterest” or something like that. I need one of those snails to do that stuff for me.

6. Below is a look at my illustration board on Pinterest. If you go there or zoom in, you can see how many times each image was “re-pinned”, or not re-pinned. – and here in lies the magic! You get to see how many votes or “pins” each image gets including your own. In a way people are casting their votes in an impartial way – self serving! They see something they like and they re-pin it for themselves. This is more valuable than a critique from friends in some ways because it’s a rather large sample size and it’s honest. The people pinning don’t really know or care that you’re looking at the data this way -they’re just grabbing images for future consumption on their own boards.

link to Will Terry's Pinterest boards

So how can Pinterest help you improve your art? You can learn a lot by seeing what people like and don’t like. If you’re work isn’t getting re-pinned as much as the other work you pin you have some work to do – but not in the blind – because you can see exactly what images people respond to the most. You might want to make a list of the things the popular images have in common – then compare to your work. However, this could also be a little dangerous if you follow it too closely and copy what is getting votes – you could become a follower- you still have to innovate but in order to create great art you have to consume great art!

Pinterest is in my opinion a very valuable tool for inspiration, strategy, and marketing – I’m starting to get emails and messages from customers who are finding me on Pinterest – and I hear it’s the fastest growing social network! so get pinning!

Folio Academy Student, James Horvath, Gets an Art Gig

It all started with Will Terry’s first art lesson video course

How to Illustrat Children's books

 Words can’t begin to describe thfeelings I’ve had over the past few years since making my first video tutorial: “How To Illustrate Children’s Books”. I’ve received hundreds of letters, emails, Facebook messages, etc thanking me for making that video and the subsequent videos I made afterwards. I get to chat with people everyday about their enthusiasm and renewed energy for working on their art projects. I find myself wanting to produce more and more video courses for my students around the world.

More Courses by Artist, Will Terry

James Horvath shared a wonderful thank you letter and a short success story.

With permission from James Horvath I’m sharing his letter because it really touched me yesterday – I’m glad I was home alone so my kids didn’t see me get all mushy. My emotions come from the leftover feelings I have growing up in the shadow of academic over achievers in my family and thinking that I would never be able to do anything important with my life. There really isn’t anything better in life than knowing you make a difference – so I thank all of you for the kind words you’ve sent me in the past few years! ~Will Terry

 

Hey Will

 

 It’s been a while since I downloaded and watched your video series, “How to Illustrate Children’s Books“. I just wanted to write to you and let you know how well your course has worked for me. 
 
I’ve been a freelance children’s illustrator for many years. I worked primarily in the education market doing work for Scholastic, Pearson, Houghton Mifflin Harcourt and a few others. And while I’ve enjoyed some modest success, I always wanted to write and illustrate my own children’s picture books.
 
About a year and a half ago I decided to get off my butt and actually do it, instead of just dreaming about it. I found your video course online and decided to spring for the $29.99.
 
I developed my story, worked on some sketches and sample art, basically, followed your process and submitted my dummy (an email with a PDF) to one publisher. A test run so to speak. I braced myself for the almost inevitable rejection that I was sure would soon follow. 
 
Instead, within 24 hours, I received a response with a very enthusiastic reply. That was on a Tuesday. By the end of the week I had a 3-book deal with HarperCollins Publishers. My first book comes out on April 30th. And is up for pre-orders at practically all major on-line retailers.
 
I just wanted to send you this note and say, “Thanks”. I really do credit you and your course with outlining a path for my success. I would, and often do, highly recommend your video series to anyone looking to break into the children’s book market.
 
Thanks again!
James Horvath

Check out his work.
 

Congratulations James

– I can’t wait to buy your books when they come out and to brag that I might have played a tiny part in their creation. It’s been a crazy ride with our Folio Academy project. 

Painting with Cool and Warm Colors

Warm Light, Cool Shadows add to a beautiful Contrast

a Will Terry Digital Painting of House type Castle

I painted this as a demo for my digital painting class this semester at UVU. I really wanted to play around with a dramatic lighting situation.

Photograph of Red Rock cliffs with Harsh Light and Shadow.

Get inspiration from the real world.

One of the reasons I’m a big advocate of getting out there and seeing the world with your own eyes is the feeling you get and the inspiration to find a place for it in your work. I woke up to this last year in Utah’s Goblin Valley last year Needless to say, I was inspired.  – my tent was about 5 feet to the right.

Rough Sketch of House/Castle on iPad

So this is how I begin my sketches on my iPad.

I call this the ugly stage. I’m basically making a “map” for me to trace and perfect on another layer. At this point I don’t care about detail – just the raw elements and proportions. It’s sketchy and loose but it will serve as my guide.

Pic of ProCreate Logo

Use “Procreate” for a larger file size, plus you can rotate your “paper”

I’m using “Procreate” now because I can have a much larger file size then “Brushes”  – AND – I can rotate the “paper”. That’s a huge improvement. Down side: (why is there always a downside?) It’s much slower than brushes. I’ll be making an update video for my “Painting on the iPad” video tutorial that demonstrates how you can use Procreate for your workflow.

drawing of House/Castle

And this is the perfected sketch. I probably used about three more layers to get to this point reducing the brush size and increasing the value of my lines.

House/castle digital painting in process

I think it’s really neat to look at this part of the painting because it looks so dark and different than the part in the sunlight…similar to the photo I took. I added the color in Photoshop CS5.

digital paining of House/Castle in process

I love light and shadow.

You really can’t have one without the other can you? I really like exploring with cool colors vs warm colors to see what interesting blends happen and the mood it creates.

 

Create Your Own iPad App

Develop a Children’s Book iPad App 

Using the iPad app, Demibooks Composer, you can develop a children’s book iPad app without writing code. See how at FolioAcademy where you can find all sorts of online art tutorials.

Develop a Children's Book iPad App

 

Step by Step Process

Heidi Berthiaume, iPad app Developer at FolioAcademy demonstrates her step by step process on developing your own iPad app. It isn’t as hard as you might think. Impress your mom, your friends, your enemies with your own iPad app ready for them to purchase   online.

Create a children's book iPad app

 

Use Composer to make an interactive storybook.

Let Heidi show you how to use Composer to make an interactive storybook with page navigation, animations, physics, sound effects, a voice over, and a Hide & Seek game. All of the interactivity is created from menu options and since you are working on your iPad, when you Preview your pages, you see everything exactly as your reader will. Having developed her Bud the Bunny iPad app and another children’s book iPad app for Kane Miller, Heidi Berthiaume shares her experience with Composer using pages from her Bud the Bunny app as specific examples of the kinds of interactivity it is possible to create without learning a programming language. An iPad is necessary to run the Demibooks Composer app.

Find more on this at Will Terry’s blog