Children’s book Illustration in Progress
I’m out of here – going for a walk with Pooch – later.
I’m out of here – going for a walk with Pooch – later.
Inez Harwood, a student of Utah Valley University in Orem Utah, breaks the world record for the longest single piece of “Tie-Died cloth.
Vibrant Prtotest, by Inez Harwood
“UVU is fast becoming the best University in Utah valley for to learn art and illustration”, says artist Wayne Andreason of FolioAcademy. The program is constantly improving, as well as the staff. The program tries to attract faculty that are not just teachers but professionals with teaching skills, who mentor students for the art business market. Harwood’s project required cooperation from several departments at Utah Valley University a few shall be listed: Art and Visual Communications Painting and Drawing, Theater Arts, Musical Arts, Center for the Advancement of Leadership, School of Business, Academic Emergence Services, Grants Office. Community Assistance from the City of Orem, Wolverine Crossing and Dharma Trading Company.
Student Inez Harwood is a Traumatic Brain Injury survivor who faces ongoing health challenges and disability, she found a strong support community at Utah Valley University. Inez is a new genre artist which requires considerable leadership, and organizational skills. She began her journey more than one year before the art happening, when she proposed her idea to the Center for the Advancement of Leadership. Inez and C.A.L. began meeting regularly to coach her on how to develop the project. A process that helped Harwood learn how to write a public art grant and business proposal. Months before the physical work of the project began Harwood would have to develop the bureaucratic and financial development aspects of the project, including environmental study of the effects of dye and municipal water usage policies, gaining access to public works resources, finding a donated studio location, finding sponsors, hiring a studio staff, project manager, business manager, secretary, publicist, janitor, and community volunteer coordinator. Then once the team had been trained, the real work began.
In January 2013 Harwood moved into the donated studio at Wolverine Crossing with a 850 pound roll of fabric and began the tie process. Three months later, on March 7, 2013 Inez and over 200 volunteers rinsed and stretch the brightly colored fabric around the two retaining ponds west of U.V.U’s Hall of Flags.
This world record art work stretches 2945 feet 7 inches in length, breaking the previous world record held by Japan by 200 feet. This beautiful masterpiece was woven in South Carolina by Inman Mills with 100 percent domestically grown cotton, the approximately 970 pound tie-dye cloth by American artist Inez Harwood, 36, was made of using 120 pounds of dye and 8,000 zip-ties; originally measuring 3,153 feet long, it sets the new world record for the longest tie-dye cloth, to be published after verification process later this year in the Guinness World Records.
This world record piece of art work stretches 3153 feet in length. Naturally I wonder what the previous record was. Probably 3152 feet. (or less) This beautiful masterpiece was
Woven in South Carolina’s Inman Mills with 100 percent domestically grown cotton, the approximately 950 pounds heavy tie-and-dye cloth by American artist Inez Harwood, 36, was made of using 120 pounds of dye and 8,000 zip-ties; measuring 3,153 feet long, it sets the new world record for the Longest tie-and-die cloth, according to the World Record Academy:
You can see the colorful record breaking Tie-Died piece, Vibrant Protest: Liberty, at the Woodbury Art Museum in Orem, Utah until April 27th 2013.
Cool Huh? If you could hold a world record, what would you want it to be for?
Copy THE ARTWORK OF OTHERS TO IMPROVE YOUR OWN ART WORK!
I wrote to Will Terry thanking him for his video series How to Illustrate Children’s Books. His video series played a key role in helping me get my first book ready to submit to a publisher. The course outlined everything I needed to know about creating and submitting my book, and his real-world experience and knowledge gave me the confidence to finally go for it.
I’ve often been asked, “How did an unknown author/illustrator get a book dummy to a major publisher, have them actually look at it, and sign a 3-book contract in under a week?” Good question.
I realize my success is fairly rare, like finding a cache of pirate gold buried in your back yard, or getting quick and friendly service at the DMV, but, it’s not impossible to do what I did. And I am not someone who has a brother or a sister-in-law working in the publishing industry. What I am, is someone who did his “homework”.
So unless you actually have friends, relatives or somebody high up in the publishing world, you’ll need to do your homework too. And the videos and tutorials on FolioAcademy.com are a great place to start.
Using the iPad app, Demibooks Composer, you can develop a children’s book iPad app without writing code. See how at FolioAcademy where you can find all sorts of online art tutorials.
Heidi Berthiaume, iPad app Developer at FolioAcademy demonstrates her step by step process on developing your own iPad app. It isn’t as hard as you might think. Impress your mom, your friends, your enemies with your own iPad app ready for them to purchase online.
Let Heidi show you how to use Composer to make an interactive storybook with page navigation, animations, physics, sound effects, a voice over, and a Hide & Seek game. All of the interactivity is created from menu options and since you are working on your iPad, when you Preview your pages, you see everything exactly as your reader will. Having developed her Bud the Bunny iPad app and another children’s book iPad app for Kane Miller, Heidi Berthiaume shares her experience with Composer using pages from her Bud the Bunny app as specific examples of the kinds of interactivity it is possible to create without learning a programming language. An iPad is necessary to run the Demibooks Composer app.
What a coincidence. Will Terry and I were at the Repartee Gallery in Orem yesterday, Dec, 7, 1941 2012, and who do you think just happened to be in there signing prints, and books and meeting some of his lucky fans?
That’s right, J. Kirk Richards, the wonderful Fine Artist and Illustrator, Known primarily for his contribution at Folio Academy I’m sure. Just look at some of his stuff.
Sometimes you gotta make a coincidence happen. You see, last week while I was in that same Gallery, hanging with Scott Gustafson, they told me Kirk would be there on Dec. 7. I was expected to go to a company Christmas party with my wife, but luckily her boss took ill and was admitted to the Hospital, so I could go with Will and enjoy some refreshments and bother Kirk. (PS, Just joking when I say “luckily”, My wife’s boss is home now and doing well and I would much rather he never took Ill, he is a great person and deserves health and happiness.) Kirk Richards is a friend of mine and we are so glad to have him as one of our contributing artists at folioacademy. Several people have taken and loved his Portrait Painting courseand love it.
J. Kirk Richards is a favorite among admirers of contemporary spiritual artwork. Richards attributes much of his love for the arts to an early emphasis on musical training in his parents’ home. Turning then from music to visual arts, Kirk studied with painters Clayton Williams, Bruce Hixson Smith, Patrick Devonas, Hagen Haltern, Gary and Jennifer Barton, James Christensen, Wulf Barsch, Joe Ostraff, and others. ~jkirkrichards.com
Kirk is a busy man, but we are glad he wants to add a few courses to the folioacademy library. He has a lot to share and he is a wonderful instructor. If you don’t already love his stuff, take a look and see if you don’t add the young and talented J. Kirk Richards to your growing list of favorite artists. PS he speaks Italian as a second language, how cool is that?
I heard that he would be at Repartee Gallery in Orem Ut. On Saturday so I made sure to get out there and say hello, and I’m glad I did.
He came all the way from Chicago Illinois, the silent S state, to meet some of his many fans out here in Utah.
Two of my favorite artists, James Christensen and Scott Gustafson were in town.
In fact, his friend, James Christensen, the world famous, award winning, fantasy artist, was there as well.
Scott Gustafson’s early ambition was to be an animator, He studied animation at the Chicago Academy of Fine Arts, but later became an Illustrator and a then a Fine Artist. He is an accomplished artist who was influenced by the master illustrators of the Golden Age of Illustration but as a teenager he discovered these wonderful master illustrators like like N.C. Wyeth, Norman Rockwell, Maxfield Parrish.
Way back in 1991 or 92 I read Peter Pan, illustrated by Scott Gustafson, to my children and I fell in love with the beautiful illustrations. The illustrations were better than the mind’s eye. Since then he has illustrated numerous picture books and fairytales could make your eyes salivate. If you aren’t familiar with Scott Gustafson, check him out and add him to your list of favorite artists.
Richards is acclaimed for his spirited portrayals of the human form, both in oil paintings, and stunning sculptures.
J. Kirk Richards lives in Provo Utah with his wife – who is an artist as well. They also live some of the year in pastoral Redmond Utah, where they spend their days in their country art studio. While Richards is fond of a variety of art styles, his work is prized most by those who are interested in spiritually-themed artwork. He has won awards in juried shows throughout the country, and his work is illustrated in many magazines, books, and film productions. His work is even present in two PBS documentaries. J. Kirk Richards fuses the old and the new with his works of art; symbolism and metaphor, and an emphasis on lyric composition bring the human figure to light.
The new video “Portrait Painting with J. Kirk Richards,” Is available for streaming on Folio Academy. In this hour and forty minute video, Richards will teach you all you need to know if your interested in painting portraits. From mixing oil colors and attaining accuracy, to filling rectangles with great design and composition, Richards will take you step by step through painting a beautiful portrait, even teaching glazing and finishing along the way!
The skill level for this film is best for ages twelve and up.
Robert Barrett is widely recognized as an accomplished painter, muralist, and illustrator, and his new video will be a great addition to our collection.
Working as a professor of visual art at Brigham Young University, Robert also had his work exhibited in numerous art shows. His worked has been shown in New York by prestigious groups such as the Society of Illustrators, the Directors Guild of America, and the National Arts Club. He has worked with many clients over the years, doing both illustration jobs, and books. Here are some he has worked with: Fawcett Books, McGraw Hill, Random House, Viking USA – with their imprints Puffin, Penguin, and Dial Books, Ideals Publishing, Thomas Nelson, Dell Publications, Double Day, Bantam, Clarion Books, Harper Collins, Concordia, and Deseret Book, as well as Outdoor Life, American History, Boy’s Life, American Legion, and McCall’s Magazines. Robert received a MA and MFA in painting attending the University of Iowa, and a BFA in painting from the University of Utah. He received the Karl G. Maeser Award for Teaching Excellence while at BYU, and more recently was chosen in 2010 as the “Distinguished Educator in the Arts” by the Society of Illustrator’s in New York City.
Roberts new course “Lift out Technique in Mixed Media.” Is now available at Folio academy. This course will teach the fundamentals of lift-out technique by following Robert Barrett as he completes a painting from start to finish. Beginning with instruction on the initial drawing stages, Robert will take you through opaque water color, oil washes, and finished details. Throughout the instructional video, Robert discusses the fundamentals – such as how to get a correct drawing, the importance of good shapes, and how to design compelling color.
Approximate run time 2.5 hrs – ages 16 and up