Painting Color and Light for illustrators and artists: contest part 2

Start with a good drawing.

There’s still time, to do the Coloring contest, see post

It seldom works to start with a bad design and then just fix it with color. Good light and color will look better with a well designed drawing.

It would be nice to give you all the answers but I think I’ll give you all the questions, that way you can come up with the answers.

Things to consider for your artwork

Light and Shadow What is value and how is it used?

What are gradients and how do they work in a drawing?

Can drawings work in mostly light values, dark values, both?

Lighting shapes, What direction should my light be coming from?

How does light fall on a sphere, cube, cylinder, & human form?

What is the relationship between the darkest dark and lightest light?

Why is reflected light important to show form?

What are cast shadows and what happens to their edges?

What direction do shadows go?

What are occlusion shadows?

Painting Color, What colors should I buy or use?

Are white and black colors?

Should you ever use black?

What happens when you mix various colors?

What are cold & warm colors?

What is a vibrating color?

What are color opposites?

What’s the difference between primary, secondary, and tertiary colors?

What are tints, shades, and gradients?

What is a triad?

How can you neutralize two colors?

What’s is a complimentary color scheme and an analogous color scheme?

How can I get rich color in my painting?

Where can I learn to draw and paint better?

How can I enter the little coloring art contest for artists and illustrators everywhere?

Cover Art for Storywoks Magazine

Art (slash) Illustration for a Magazine Cover

Magic carpet ride over bookish buildings

magic carpet

Kids having fun with a reading theme

I was excited to take this job. I was happy to draw and illustrate this fun assignment: “Kids having fun with a reading theme”. It was a lot of fun to come up with the whimsical idea of a kid all freaking out on this wild magic carpet ride while his dog is hanging on like a pit bull and he little sister, or brother, not at all afraid of the potential danger all around, just curled up with a good book and having a great time.

My transition to digital phase

This was done during my “transition to digital” phase. I started my transition by saving time just going into Photoshop to crank out a quick back ground. Just spray in a gradient and print it out on good paper and vuala! Most of the boring part done. So this piece was a little painful because I produced it 100% in acrylics. Not because the client wanted it in acrylics. Not because I had more time to kill, but because my printer has finally given up trying to please me. We are no longer friends and I have banished it to the garage….And then we moved, and I hope that hateful printer is still in that garage thinking it will still have a life someday, and wondering why I haven’t come and apologized and plugged him back in. Sense any hostility?

100% ACRYLIC PAINTING ON PAPER, THE OLD FASHIONED WAY.

So it was back to my old fashioned way of painting with acrylics. Tone the paper and painstakingly dry brush a gradient back ground and then finally get to the painting. Eventually, even that became too painstaking for me, and I have pretty well converted to 100% digi. (That is short for digital, I think) Ho the dread learning curve. Now I’m happy I made the switch. lol :)

Climbing the Corporate Ladder

Editorial Piece about Women Climbing the Corporate Ladder

editorial illustration from over a decade ago

Originally printed for Hispanic Magazine.
corporate ladder

One of my oldies that I painted the old fashioned way with real acrylic paint and real brushes. Now days I do most of my artwork using pixels. Digital art work is just faster and… well you’ve heard me say it before and you’ll hear it again. I am not dissing on traditional painting, in fact I love the real stuff. And I encourage every artist to learn to manipulate real pigment.

LOOKING BACK

Looking at this takes me back. If you’ll notice, I would paint or tone the canvas or paper, with a rather dark color, and then paint lighter colors on top and slowly build up the painting with a very dry brush. Leaving a lot of the toned background to show through. In a nutshell, that is my acrylic painting style.

Painting & Illustrating; Making the Switch to Digital Art & Loving it

What do you think of my digital art?

Went digi just four years ago and loving it 

early digi Illustration

Up until about January 2010, I only fooled around with painting in Photoshop. I started out by painting backgrounds for my paintings in Photoshop due to the advice of Jim Madsen  but never really tried to fully render a sketch or an Illustration. I remember the day after Christmas that year was a day for putting together toys, searching for more batteries, playing Acquire, watching Avatar, and squeezing in a little time to experiment with Photoshop. This is what I came up with.

I made this sketch for a book that got canceled (bummer) but since I liked it I decided it would be the guinea pig.
So, I’m looking for you to exercise your critiquing abilities – what do you guys think I could have done to make this a better piece? Not the following, but the boy, or is that a girl? by the tree.
A few day later, more digital artwork

A Love affair is born

Here is an excerpt from my journal shortly after my first date with Photoshop:
“I have a new secret love affair and I’m pretty sure my wife will be down with it… until I spend too much time with her. Her name is Photoshop and she’s so cute! The way she responds to gentle clicking – her color – and those deep dark shadows! Her pixels drive me wild!” ~Will Terry

in the end I’m so happy with the process
Mexican Dinner
I wish I could take the credit but I must send a shout out to Jed Henry who wet nursed me through the process. Oh there were a few choice words at first – a tear here and there but in the end I’m so happy with the process he helped me with. Thanks Jed!
This was an old sketch I dug out to fool around with – he was originally sketched for a Rosa’s restaurant painting I did 6 or 7 years ago. El Senior Monteban – quite dapper and oozing with confidence.

Editorial Illustration: Time

So I Illustrated the word: Time

I’m pulling this from the dark corners of my archive

Back when I did a lot of editorial work I created this. It reared its acrylic head again a few years back when I pulled it out of the flat file and entered it in an Illustration Friday deal for the word time. And now it shows up one more TIME.

Just wanted to post something a little different. It’s about time, don’t ya think?  : )

Illustrations & Artwork for My Own Book

writing and Illustrating my Own Book

“Get used to disappointment” ~Dread Pirate Roberts

These are some character and environment sketches for a book I wrote and tried to get published. I’ve already scored one rejection on. We learn by our failures right? But in the publishing world you need many many failures, rejections, refusals, dis-approvals, and disasters in order to be a success right? (just say yes) I’ve written many a children’s book my friend and so far the score is, Publishers 15 – Will Terry 0.
Enjoy it while it lasts publishers – for one day I shall laugh at you for buying one of my manuscripts…MWAA HAA HAAA!

 

 

 

:) folioacademy is awesome.  (<<< subliminal message)

Another Billy Goat, How Gruff.

TREE BILLY GOATS GRUFF, CONTINUED…

Artist Jim Madsen’s take on the three billy goats gruff. 

bully goat by Jim Madsen

So I was trip trapping on Facebook last night and my best friend Jim Madsen had posted a digital painting he did of the 3 Billy Goats Gruff, and boy did he make a big troll. He says don’t worry about the little goat.

Don’t feel sorry for the goat. Remember that killer rabbit from Monty Python’s Holy Grail? This goat has the same amount of whup arse as him. My dad used to tell the 3 billy goats gruff story nightly to me and my brother… never got old. ~Jim Madsen

 

Since we just posted a Billy Goat blog, and we said, use a big troll, and we also posted on that post, a Jim Madsen illustration, a twist on the old NC Wyeth’s, Blind Pew, and then I saw this, I wanted to hurry and put it on the blog. Nice work Jim.

Some Illustration is NOT Art

Some illustration is ART…some is NOT ART, Even if you frame it.

Our artwork is like our babies, Priceless?

Remember when you drew something back in Jr. High maybe, and it looked great, at the time? Or when you painted your first painting in High School. Perhaps you copied, (plagiarized) the cover of you favorite album, like Boston’s Don’t Look Back? (Yes, I’m that old) If you were like me, you planned on keeping it forever. Or if it was in the High School art show, the price tag was for about $1000.00 or “NOT FOR SALE!”

Hopefully you can look back at those pics, if you still have ’em and see that you weren’t that good. Not that you weren’t that good, but that you have improved… A LOT!

Keep Sketching… And DrawingAnd Painting.

I Guess what I’m trying to say is this. If you keep at it you will improve. You will find and hone in on your style, you will get better and better. So keep up the good work.

The first things you illustrate may feel like artwork too. I was in love with my first illustrations. I was a professional artist. How cool is that? My work was published, I was published. My friends and relatives would say “You’re going to be famous, like that one guy, what’s his name? He did all those paintings?”

I finally reached a point where I have no room for my early editorial and advertising NON-ART illustrations…so “BuBYE!!!”

art or trash?

 

 

 

 

 

 

PS. The garbage truck already came so you can’t rummage through my trash, past the old pizza boxes and dig out a bunch of my “Non Art” and sell it on E-Bay for more than it is worth. But I think a slice of pizza is still stuck in there that you can have. Just joking, my FolioAcademy biz partner Wayne already dug that out and ate it.

Boston, Don't Look Back album cover

Hey! we could copy this, paint it and sell it for like a thousand dollars. COOL!

Tips for Illustrators & Students Part 2: Why Are You an Artist?

We are Artists Because IT USED TO BE FUN!

I became and Artist cuz art is fun.

I became and Artist cuz art is fun.

I want to start this by asking you, how did you get into art?  What made you start producing art?  Was it just for fun? Were you just a kid?  Did you get into art because people asked you to draw things for them?  I honestly doubt that you got into art because other people asked you to. Most of us got into art to make cool stuff and because it was fun and fulfilling.

There is much amazing stuff out there, and we looked out at it and decided we wanted to make our own and show it to the world.

Do you want to be an Illustrator, an Artist, or an Employee? 

Art is fun.

Art is fun.

Yet so many artists who have spent so long learning, and practicing get to a certain point, like when they’re about to finish school, and they start thinking about getting out of school, becoming an Artist, an illustrator, or just thinking about how to make money with their art skills.

After that all of a sudden we want to get hired. So we can get paid. So we can eat. We want to be employees.  We start looking for someone else to tell us what to do (or draw) so we can make a living, and so we can eat.

We get asked to draw something that isn’t fun or we get asked to do something that takes away from our vision.

What can I do To Make Money as an Artist?

I don’t want to discourage you, there is nothing wrong with working with and helping other people. I want to help open your mind to other possibilities.

It started with students across the country, and now it’s students all over the world. People want to be hired.

The main thing I am asked is, “what can I draw to make money?” I think it’s backwards, is that why we became artist? I’m not saying it’s inherently wrong, but it’s not why we started.

I’m in a position now that I can pick and choose. I’ve put in a lot of work that I ended up hating but I’ve also put a lot of work into my children’s books that I’ve really enjoyed, and I enjoyed the people I’ve worked with.

THERE ARE A LOT OF OPTIONS.

But is that the only way or are there other things that we can do? Have you ever thought that musicians, authors, actors, videographers, and gallery artists are more entrepreneurial than illustrators. Think about that, are they?

What is wrong with Illustrators.  And this is a generalization. Musicians move to Austin, or Nashville, or they record in a friend’s house, and now with the internet a lot of them are starting their own YouTube channels. Comedians are starting their own YouTube channels. Actors move to Hollywood or start YouTube channels, Gallery-Artists make something and try to get someone to buy it. Writers write something and hope publishers buy it, or they publish it on Amazon and sell it directly. Like Amanda Hopkins.

Illustrators Want to be hired, commissioned, or just get a job. 

What’s the difference between us Illustrators, and all the other artists? Ask yourself and try to answer that question. A graphic designer decided to publish his own small books. I have a friend who owns a graphic design studio, and we first started working together about ten, fifteen years ago. And he would hire me, he was getting contracts from Children’s book publishers, and he would hire me to do covers and inside spreads.

A couple years ago he hired me to do some work for a children’s book with a publisher I had never heard of before, why because it was new, it also happened to be him or his publishing company. He decided ‘you know what, I can make one of these myself’. And he’s still publishing books, and even some e-books online.

The Internet has Been a Real Game Changer. 

If you are a teenager or in your mid-twenties, you probably grew up with the internet. Not knowing life without it. I wonder if the internet is more impressive to me someone who lived without it. I can’t speak for someone who lived without cars, or plains.  But I worked without the internet. I don’t want to just assume that I appreciate something more than you, but I wonder how I ever got along without it.

There are thousands of people on YouTube who picked themselves.  People who just decided to utilize this wonderful tool. Some decided, “Hey! I’m going to broadcast the news, and I’m going to make money doing it”, and they’re doing it.

You got the guys who did kid history, (Bored Shorts) and the guys who do honest trailers, (Screen Junkies) look them up, or click the link. But don’t get sucked in, your focus is here right now.

Prank vs prank, there’s that guy from Utah “tipping servers $200”.  Video recorded it, and put it on Youtube.  By my calculations I’d say he cleared $20,000 just posting that one idea.

Now you don’t “NEED” the middle man.

You can now make a free service like Youtube, get your own channel (FolioAcademy has one right here that is grossly underutilized by the way).

My Kid History friends at Bored Shorts are talking to Disney right now, who may end up buying their channel of videos and if they do it’s going to be big.  By the way That guy who filmed the tipping video has over a hundred million views, when you do that, you get noticed, and even make money with advertising. There are tons of review channels too. Someone decides “Hey! I am going to review this product.” Have you ever noticed that whenever someone decides something they start by saying “Hey!” My friend Jedd Henry who did Yukio Heroes. Michal Dowdled who makes his own puzzles of all the famous cities.  He picked himself, Kazu who made flight, People who made their own web comics. That oatmeal guy (I love that guy) Music,  everyone in music is getting involved,  Indie Music, it’s when YOU decide that Hey! you are a musician, you don’t wait for it.

They don’t teach this stuff in public schools. 

The guy’s running public school never taught this, because so many of them didn’t create anything.

My slam on public schools, they do not teach creativity.  They teach people to obey the rules and math and language and science. And WE need that, OK we do but we also need creativity.

We have not been equipped for this world, and public schools haven’t either, our parents and friends and the world is all telling us what to do.  Go to college, get good grades so you can get a job. It makes sense, it’s safe. But ask these guys who have “picked themselves”, they don’t worry about safe.

This is starting to run long so I’m going to have to have a part 3 and maybe part 4 and more.

Okay my next posts will share some strategies, like: Things that I’ve learned, Things that I’m trying to apply now, and ways for an artist to be more entrepreneurial.

OUR FAMILY PLOT IN MY NEW HALLOWEEN CHILDREN’S BOOK!

Our Family Plot in my Book!

My new book Skeleton For Dinner by Margery Cuyler takes place in a graveyard. So I put tomb stones on most of the pages of art…and then an obvious problem hit me. There were no names on the head stones. So I placed a call to my editor – Nick Temersma at Albert Whitman and said, “ummmm…what should we put on the grave markers?”…….”hello”…..Then Nick said, “I don’t know – what do you think?” Having been around this business for a while I’ve learned that it’s better to have a solution that works for you when you call with a problem. So I suggested, “What if we put our family names on all the tombstones – I could put yours, mine, Margery’s…” Eventually the answer came back, “Sure, sounds good”.
I had enough markers to put names from both sides of my family, my mom, my editors, and authors family names, and all the dogs I’ve had over the years – including pooch who is still very much alive but hey – never hurts to think ahead.
What better way to start October than with a cheesy pitch from Will Terry and a copy of Skeleton For Dinner? Click here for Amazon
Here’s a review from Kirkus
Happy Halloween from Folio Academy.