How To Make A Story App – Step 6

How To Make A Story App – Step 6

scroll down or click links for step one, two, three, four, five and five.5

 Record the voice narration.

Hire a professional voice actor or do it yourself. 

On my last app “I Eat You” I used the iPad app “Tiny Vox” to record my own voice – making all the crazy fish voices and generally making a fool of myself. It was fun but now I’m in app making 2.0 and for Gary’s Place I decided to hire a professional!

On your first you may want to boot strap it and find free voices.

But back to Tiny Vox – wow! what a cool app for only a couple of bucks. If you’re on a budget you can get good clean sound tracks with this little gem. The built in noise cancellation leaves the front and back end of your sound clips hiss free.


But I got really lucky that I ran into Tabitha Thompson from a class I taught. She was looking into the whole process of leveling up her illustration skills as she’s already a talented writer. I mentioned that I was looking for voice work and she said she would love to provide a sample – it was amazing – I only found out after the recordings that she was trained professionally. It pays to open your mouth.

Tabitha Thompson has an advanced-level degree in theater from Cambridge, England, and has worked as a professional actor, singer, and dancer since 1989. You can contact or email her at tabitha.voiceact at icloud dot com. (it’s in code to save her from SPAM

 

It may affordable to hire a professional voice actor. 

Then I worried that I wouldn’t be able to afford her – but her rates were really reasonable – so I paid for 3 hours of her time which included driving down from Salt Lake. Then I paid for an hour of time with a sound studio. Since I’m in app creation 2.0 I wanted to leave no stone un-turned. If that figure of speech works for that. My goal in making this app is to give reviewers, moms, dads, kids, peers, very little to find fault with.  I tried to give as little input as possible during the recording since I’m really just an illustrator. I told myself, “Let Tabitha feel free to explore her art as you enjoy being left alone to explore yours.” The result was really fun. Being the professional she is -she nailed it on the second take. I only asked her to re-read a few lines twice and as she wouldn’t have understood without seeing the illustrations.

I used a professional sound guy as I wanted the best quality.


The sound guy (Ryan Haldeman part of the “kid history – youtube” team and part of the FolioAcademy team)  used wetransfer.com (my favorite large file sharing site) to send me the voice recordings. Then I used Audacity to cut the long sound files into page segments. We all thought it would make a better product to have Tabitha read the entire manuscript – rather than break each page for my convenience. I think it gave her a much better flow and rhythm…and it’s super easy to cut the file on your PC or Mac.

Audacity is a free program you can download and you can learn what you need in about 20 min by watching various youtube videos. Want to learn how to cut a file? Just ask youtube: “how to cut file audacity” then watch a 5 year old lay it out – could you have predicted this 20 years ago? Ha! Oh – one little trick with Audacity. You’ll want to export your files in mp3 format (if you’re working with Kwik) – BUT Audacity can’t do that for you because of the pesky royalty Audacity would have to pay to let you do that – instead – try to export to mp3 from Audacity anyway – Audacity came up with a link when you try to save that takes you to a 3rd party web page where you can download a tiny program that works behind the scenes with Audacity to magically create mp3 files – in fact after you install that second program you can just export mp3s right from Audacity.

Stay tuned as I’ll keep sharing my progress on “Gary’s Place” which I plan to submit to Apple, Google, Amazon, etc. in a few weeks. I’ll continue to blog about this process even sharing my sales stats when it hits the various app stores! If you’re wondering where the first steps are I started this project a while back, in September 2013 I think. so just scroll down or click the following links and you can check out my other steps.

Now available, Step 7.
here are the links for step onetwothreefourfive and five.5

WHERE ARE ALL THE FREELANCE JOBS FOR ARTISTS?

Where Are My Freelance ArtJobs?

Will Terry you are a man much wiser than your age. You could not be more right about the times we live in and what we each as both artists and businessmen must do to earn our share of the profits out there. ~Steven Watson

I’v been blessed as an artist but… 

I have been blessed with many connections in the illustration world and many more since I started this blogging a few years back and those connections seem to be growing. Every day I get asked questions related to the freelance illustration markets -from how to improve the craft of illustration to how to find markets and clients and I spend a fair amount of my time answering them. I enjoy this time each day.

I’ve turned down Projects. 

In the past month I have been offered three different freelance projects for publishing companies all of which I turned down due to the lack of budgets. I don’t want to seem ungrateful – beyond the fact that it’s flattering to be wanted – I realize that I’m in a different position than many illustrators since I’ve been at this a while and have spread out my income streams. I defend the right of our clients to offer what’s in their own best interest as we must decide to accept or reject based on our best interests. Some people complain about the price of a water bottle at the gas station…but they don’t have to buy it. But it’s the latest offering that I wanted to discuss.

While art ed is still costly, Commissions are dropping.

If you’ve gone through an illustration program on a University or art school level you know that illustration rates have either stayed the same over the last 100 years or gone down. The offering I received this week was half of what I used to get paid from that particular client. This made it very easy to turn down but that’s not the point. The point is that what I’ve been saying (see my “Tips for Illustrators” blog posts) is coming true. Prices that have at least “held” for decades are now going the other direction. We are competing on a global scale at many levels. With the ability for individual artists to publish their own music, books, videos, etc the big companies are having to adapt to the competition. It’s one reason entertainers like Jimmy Kimmel are releasing anonymous videos on youtube (like twerking girl catches on fire) to generate traffic back to his show. And have you seen the new “Cary” ad? My favorite prank yet. Our clients – the people we want to hire us are suffering from the noise just like we are – they are competing with us when we release our own products.

but wait, there’s more. Continue reading

Tips for New Illustrators and Art Students Part 3

 12 tips for New Illustrators and Art Students Part 3

Artist Paul Mann hard at work in his studio.

Artist Paul Mann hard at work in his studio.

            -1 Things I’ve Done as an Artist

Getting What You Want as an Artist

There are people out there who ask me ‘Other than being a big mouth and starting a YouTube channel what have you done?’ (And if there aren’t there should be, because it’s a valid question)

I started Folio Academy with my good friend Wayne Andreason, where we sell video tutorials. I have made 3 e-books, (see here, here and here) which have sold over 50,000 copies on amazon and Barns & Noble.

A story app called “I Eat You” for iPad and iPhone.

The school of visual storytelling.  With Jake Parker, where we teach live online classes.

Now I am working on an app called Gary’s Place, about a gopher who lives beyond his means.  I am working very hard on that right now. (Fall 2013) I even have my son Aaron learning how to program and animate for that. Yes I’ll pay him for his work.

These are things I’ve picked myself, and I’ve decide that I will try, and if it fails then so what? I can move on to something else.

Now as for helping you, I want to tell you.

                2- ‘Wealth is created in your spare time.’

Think about that a little bit, and my follow up is, I want you to ask yourself what you think you need.

If you could look into the future and see yourself after you’ve finished an amazing project. That is having great commercial success. And aside from all the money you’re making, and the conferences you’ve been asked to speak at, and the recognition and awards.

Now after seeing all that, if you could see what it took to get there,

Would you give up some of your Friday and Saturday nights to work on your art?

Would you live in a smaller apartment or house so you could work less at a job, and work more on your art?

Would you go for a cheaper cell phone, and save money to apply towards your art projects?

Would you spend less time watching TV and movies for your art, and I mean a Lot less time?

Would you play fewer or no video games for your art?

And if you are not willing to give up those things then I want you to say this and see how it sounds and feels coming out.

“I would rather hang out with my friends, spend this money, hang out with friends, watch TV, and play video games than have my dreams come true about becoming a (state your dream here)”

I see a lot of my students wasting time, and I’ll come clean I used to be addicted to Star Craft.  I lost two years of my life to that stupid game.  I have come to the point that if a game is really good, I can’t play it, because I don’t have the time for it.

You need to be able to fall in love with your art and creating your art.  Not the things that will keep you away from it.

        3- Make Great Art

The first step, as author Neil Gaiman said is ‘Make great art.’

That’s the first step, but it’s not the only step and it’s not an easy step.  It takes a lot of practicing, and work, a lot of NOT surfing on the internet.  A lot of just sitting down, drawing and painting and working on your craft.

If you’re starting out right now, you may not be making great art.  Nobody starts out great.  The idea of child prodigies in art is a debunked myth. An artist like Mozart who has had movies made about him, and books and is really well known was virtually unknown for the first ten years of his career.

Next step is… Continue reading

HOW TO MAKE A STORY APP (for iPad) – STEP 5.5

How To Make A Story App – Step 5.5

Finish the artwork.

(for earlier steps scroll down or click the following links)

How to Make a Story App – Step 1
Scene of Gary in his little house.

Shoooeeeee – that took a while! But it was worth it… I hope.

I’m not going to even try to explain how much fun I’ve had with the art work in this story app…like…nope…not going to even try. But Hey, I had a LOT of fun.

Of course it has been an incredible commitment and sacrifice. Lots of work with little or no guarantee of financial reward. I even had to turn down PAYING work and slack on my duties at FolioAcademy to have enough time to work on it – which will cause some to question my sanity. But those same people will probably say it was a good move if this pans out financially.

Do I suffer form insanity? Nope, I enjoy it.
Show me any thing of value in this world that didn’t come with some crazy idea and a lot of sacrifice? For me the journey is worth it alone. I’m content because I’m seeing my idea come to life. How many people can say that? Will it make money? We’ll find out as I plan to publish all my sales figures right here on this blog. Get ready to say, “I TOLD YOU SO!”This week I’ll be adding text and finding sounds…
Now available, Step 6.

Tips for Illustrators & Students Part 2: Why Are You an Artist?

We are Artists Because IT USED TO BE FUN!

I became and Artist cuz art is fun.

I became and Artist cuz art is fun.

I want to start this by asking you, how did you get into art?  What made you start producing art?  Was it just for fun? Were you just a kid?  Did you get into art because people asked you to draw things for them?  I honestly doubt that you got into art because other people asked you to. Most of us got into art to make cool stuff and because it was fun and fulfilling.

There is much amazing stuff out there, and we looked out at it and decided we wanted to make our own and show it to the world.

Do you want to be an Illustrator, an Artist, or an Employee? 

Art is fun.

Art is fun.

Yet so many artists who have spent so long learning, and practicing get to a certain point, like when they’re about to finish school, and they start thinking about getting out of school, becoming an Artist, an illustrator, or just thinking about how to make money with their art skills.

After that all of a sudden we want to get hired. So we can get paid. So we can eat. We want to be employees.  We start looking for someone else to tell us what to do (or draw) so we can make a living, and so we can eat.

We get asked to draw something that isn’t fun or we get asked to do something that takes away from our vision.

What can I do To Make Money as an Artist?

I don’t want to discourage you, there is nothing wrong with working with and helping other people. I want to help open your mind to other possibilities.

It started with students across the country, and now it’s students all over the world. People want to be hired.

The main thing I am asked is, “what can I draw to make money?” I think it’s backwards, is that why we became artist? I’m not saying it’s inherently wrong, but it’s not why we started.

I’m in a position now that I can pick and choose. I’ve put in a lot of work that I ended up hating but I’ve also put a lot of work into my children’s books that I’ve really enjoyed, and I enjoyed the people I’ve worked with.

THERE ARE A LOT OF OPTIONS.

But is that the only way or are there other things that we can do? Have you ever thought that musicians, authors, actors, videographers, and gallery artists are more entrepreneurial than illustrators. Think about that, are they?

What is wrong with Illustrators.  And this is a generalization. Musicians move to Austin, or Nashville, or they record in a friend’s house, and now with the internet a lot of them are starting their own YouTube channels. Comedians are starting their own YouTube channels. Actors move to Hollywood or start YouTube channels, Gallery-Artists make something and try to get someone to buy it. Writers write something and hope publishers buy it, or they publish it on Amazon and sell it directly. Like Amanda Hopkins.

Illustrators Want to be hired, commissioned, or just get a job. 

What’s the difference between us Illustrators, and all the other artists? Ask yourself and try to answer that question. A graphic designer decided to publish his own small books. I have a friend who owns a graphic design studio, and we first started working together about ten, fifteen years ago. And he would hire me, he was getting contracts from Children’s book publishers, and he would hire me to do covers and inside spreads.

A couple years ago he hired me to do some work for a children’s book with a publisher I had never heard of before, why because it was new, it also happened to be him or his publishing company. He decided ‘you know what, I can make one of these myself’. And he’s still publishing books, and even some e-books online.

The Internet has Been a Real Game Changer. 

If you are a teenager or in your mid-twenties, you probably grew up with the internet. Not knowing life without it. I wonder if the internet is more impressive to me someone who lived without it. I can’t speak for someone who lived without cars, or plains.  But I worked without the internet. I don’t want to just assume that I appreciate something more than you, but I wonder how I ever got along without it.

There are thousands of people on YouTube who picked themselves.  People who just decided to utilize this wonderful tool. Some decided, “Hey! I’m going to broadcast the news, and I’m going to make money doing it”, and they’re doing it.

You got the guys who did kid history, (Bored Shorts) and the guys who do honest trailers, (Screen Junkies) look them up, or click the link. But don’t get sucked in, your focus is here right now.

Prank vs prank, there’s that guy from Utah “tipping servers $200”.  Video recorded it, and put it on Youtube.  By my calculations I’d say he cleared $20,000 just posting that one idea.

Now you don’t “NEED” the middle man.

You can now make a free service like Youtube, get your own channel (FolioAcademy has one right here that is grossly underutilized by the way).

My Kid History friends at Bored Shorts are talking to Disney right now, who may end up buying their channel of videos and if they do it’s going to be big.  By the way That guy who filmed the tipping video has over a hundred million views, when you do that, you get noticed, and even make money with advertising. There are tons of review channels too. Someone decides “Hey! I am going to review this product.” Have you ever noticed that whenever someone decides something they start by saying “Hey!” My friend Jedd Henry who did Yukio Heroes. Michal Dowdled who makes his own puzzles of all the famous cities.  He picked himself, Kazu who made flight, People who made their own web comics. That oatmeal guy (I love that guy) Music,  everyone in music is getting involved,  Indie Music, it’s when YOU decide that Hey! you are a musician, you don’t wait for it.

They don’t teach this stuff in public schools. 

The guy’s running public school never taught this, because so many of them didn’t create anything.

My slam on public schools, they do not teach creativity.  They teach people to obey the rules and math and language and science. And WE need that, OK we do but we also need creativity.

We have not been equipped for this world, and public schools haven’t either, our parents and friends and the world is all telling us what to do.  Go to college, get good grades so you can get a job. It makes sense, it’s safe. But ask these guys who have “picked themselves”, they don’t worry about safe.

This is starting to run long so I’m going to have to have a part 3 and maybe part 4 and more.

Okay my next posts will share some strategies, like: Things that I’ve learned, Things that I’m trying to apply now, and ways for an artist to be more entrepreneurial.

COLOR STUDIES FOR A PHOTOSHOP CLASS

Color Studies 

Here are a few color studies I did in preparation for a Photoshop class I am teaching soon. I like having everything ready to go long before I get into the classroom so I can pack as much information into my lesson portion of the day and not waste time.
Having some color ideas worked out ahead of time takes some of the decisions away so I can focus on the techniques I’ll be teaching. Working digitally has made it much easier to make these experiments in just a few minutes…I have about 20 minutes into these studies but being able to move forward with confidence is invaluable.
Also, I teach a “How to Use Color” course as well as a PhotoShop course here at folioacademy that you may want to check out.

OUR FAMILY PLOT IN MY NEW HALLOWEEN CHILDREN’S BOOK!

Our Family Plot in my Book!

My new book Skeleton For Dinner by Margery Cuyler takes place in a graveyard. So I put tomb stones on most of the pages of art…and then an obvious problem hit me. There were no names on the head stones. So I placed a call to my editor – Nick Temersma at Albert Whitman and said, “ummmm…what should we put on the grave markers?”…….”hello”…..Then Nick said, “I don’t know – what do you think?” Having been around this business for a while I’ve learned that it’s better to have a solution that works for you when you call with a problem. So I suggested, “What if we put our family names on all the tombstones – I could put yours, mine, Margery’s…” Eventually the answer came back, “Sure, sounds good”.
I had enough markers to put names from both sides of my family, my mom, my editors, and authors family names, and all the dogs I’ve had over the years – including pooch who is still very much alive but hey – never hurts to think ahead.
What better way to start October than with a cheesy pitch from Will Terry and a copy of Skeleton For Dinner? Click here for Amazon
Here’s a review from Kirkus
Happy Halloween from Folio Academy.

Tips for New Illustrators & Illustration Students – Part 1

Tips for Up and Coming Illustrators and those still in school, Part 1

art student

I put together what I have for up and coming illustrators, and those that are still in school.

This is the advice I would want to hear if I were planning a long career in illustration. Now besides working here at Folio Academy, I also teach Illustration in Utah at UVU, and this is stuff I have been teaching to my students.

A few things every illustration student should know.

Now this is only part 1, so I plan on touching on a few things that hopefully I will be able to go over in more depth, while still being able to stay focused. What I want to touch on and go into later is

“Saying goodbye to the word Maybe.”

Getting started doing what you love.

The way things were and how they are now.

And is there enough room for all these different artists to make a living?

Getting started as an Artist, and doing what you love.

When getting started if you’re like me you wanted to make a living by doing something that you enjoy. What I wanted to do was to draw and paint.  I wanted to paint for a living. Basically what I wanted was make money doing what I love to do.

 The way things were

In the past you had to go through a middle man so you needed to find a person with money to get your illustrations out there to the market place.  Either for products, or services, you needed executives, or publishers, you needed to get to the people in charge of hiring artists.

 

If you were an animator, illustrator, musician, filmmaker, an author, if you were an artist you needed someone to pick you, to choose you in order for your stuff to get published, for your voice to be heard.

 

This has been going on for a long time, from the days of Caravaggio all the way to Dr. Seuss.  Caravaggio needed “the Church”, he needed rich people there to pay him. He needed to impress them enough so that they could say ‘Yes we will hire you to paint this or that painting’. All the way up to Dr Seuss, who had to impress a publisher, to be able to get his message, his stories told.

 

When it comes to traditional Publishing there have been two groups of artists, those who have been told Yes, and those told Maybe, (sometimes even a flat out No)  and the group that has been told Yes is small group.

Is there enough room for all these different artists to make a living?

What about everybody else? Is there room for everyone else, or even just a lot of people? To be picked, to be chosen, to be hired, to be utilized as an illustrator? I will have to go into that more later, because I want to cover so much, such as a little more about publishers.

 

Publishers are limited to how many books they can publish every year. In fact most publishers have a list of a number of books they are willing to publish in a year.

 

I have even heard from Editors that there are times when they almost cry inside because they have to turn down a book they would like to publish but all the slots are filled on their list for that year.  And some of those books do get chosen by another publisher, because they are so good, but sometimes that can take a year, or two and sometimes more, and quite frankly, many of them never get published.

 

Then we get to 2008 when the economy begins to go south, and the economy starts to really suffer. At the same time we’ve had Digital Media taking off. There are Story apps and digital eBooks. With that explosion the digital media started competing with printed books.

 

facebook logo 02Since the internet has exposed many more talented authors and illustrators with sites like Pinterest, Deviant Art, Illustration Friday, Blogs ect. artists are learning from each other and online.  Online education has been getting better and cheaper. Sites like Lynda dot com, New-Masters academy, Folio Academy (that’s us) SVS, (school of visual storytellers) the Lamppost Guild, by Corey Godby and Justin Gerard.  All kinds of online schools, easy access, online ways to learn and ways to improve your education, it’s getting cheaper and easier to obtain.  And you can have inexpensive access to some of the best instructors in the world.

Learning online vs at University

Now I do want to put a disclaimer here, I work for a University so I am definitely not saying that learning online is better than learning at a University. There are advantages to both, and here are some of the differences between learning online compared to a University: Financial aid, and long term exposure to your intended field can both be extremely beneficial. The opportunity to learn from other students, and networking. Responsibility from homework and other projects. A lot of the time online gives the information but no call to action, no accountability.  There are many benefits to study at a university if you can.

The Amount of talent is skyrocketing, and the internet has made it possible to hire people all over the world.  I used to think there was a lot of talent ten or twenty years ago.  Back when everyone had a workbook that was a couple inches thick.  Now you go on a site like Deviant Art, or Pinterest or Blogs, and it’s amazing how much talent is out there.  If you can see it, and if I can see it then Art directors are seeing it. And now they have access to hire so many more people than they used to.  This is giving people all over the world with different back grounds and educations the opportunity to illustrate for a living.

Say goodbye to Maybe 

So I’ve been told yes, I was chosen and it has been very nice.  I have enjoyed the benefits and the recognition, the speaking engagements, money, and of course the opportunity for more work. Because of that some people may ask why, if I’ve been picked, and accepted into the publishing world, why I would come back and talk about all this? The reason is because I feel like one of my callings is to be a teacher and I feel very strongly about truth in education. I don’t like it when a student is given half-truths or outdated information, especially at a university where students are paying top dollar for their education.

 

During your life you have been told ‘Maybe’, a lot of people have been told maybe.  Maybe you can be published, maybe you can be hired, maybe you’ll be good enough someday, maybe you can do this.  My kids say that maybe just means no. I don’t like to tell my kids no, I like to say YES. . . Yes if. . .

What I want to say is that in the past ten years you have been told yes, you just may not have heard it.  You may be afraid of the word yes, you may be afraid of the opportunities available to you.  You may not like the conditions that come with the word Yes.

My friend can colleague, Wayne Andreason says that yes is his favorite word.

I’ll talk more about that next time. For now just say goodbye to the word maybe.

 

 

 

 

Pumpkin Carving Ideas

HOW TO CARVE A PRIZE WINNING JACK-O’-LANTERN  

50% off till Halloween

Big mouth pumpkin with horns and crazy eyes.

I’m very happy to announce TWO things  today. Our new video course staring me, Wayne Andreason, How to Carve a Prize Winning Jack-O’-Lantern, and even though it is only $9.99 we are offering it at half price through October, Happy Halloween.

50% OFF? How so? Promo code pmpkn

You will have to go here to our secret promo code page that is truly hard to find with out a link. I have always have a tough time finding it every time I try to link to it or send it to someone and I work here. And type in the promo code pmpkn that’s all lowercase by the way.

Could You Just Carve a Cool Pumpkin Like This without buying the course?  

An artistic cat such as your self probable doesn’t NEED to sit and watch me carve this thing. You could pretty well look at it and just do one yourself, or one like it for that matter, BUT if you like that step by step instructional video courses that we offer then by all means, purchase this one while it is only $5 and give it a look.

Why I carved this great pumpkin.

Last year my mother-law, who lives in my home unfortunately, (unfortunately for her of course, did you think I was complaining?) had this BIG Halloween Work Party and the highlight was their Big old Pumpkin Carving Contest. So naturally she made me carve her pumpkin. Yes, they said anyone in the family could carve a pumpkin and grandma, that is what we call my mother-in-law, could enter as many as she wanted. In fact my boy Zeke who helped me, I mean, whom I helped a little, OK, a lot with his pumpkin, took second place with his Jack Skellington looking pumpkin.
So I decided to carve the winner and let grandma pay for the parts. So we bought the pumpkin etc. and I made my daughter film it so I could pass it on to all you peeps.

Pumpkin Carving Process.

I start by designing it, drawing it, then drawing the face on the pumpkin, gutting it, carving it and then sculpting out the teeth, and the tongue. I attach the eyes, horns and tongue then carve a little pumpkin to put on the tongue and then paint and attach the little guy.

$50 GRAND PRIZE WINNING PUMPKIN!

(that does not say 50grand as in $50,000)
Grandma was so happy she spent the money on me and the kids. Ice-cream for the whole family. It is a lot of fun, you should do it, then you’ll have some cool pumpkin pics to put on Facebook or a video on youtube. And you may win a the prize at the company party.
Halloween is almost here so I better go clean him off the front porch and make room for this years pumpkins and Jack-o’-lanterns. Besides, I don’t want any trick-or-treaters slipping in him and getting hurt.

WHAT TEACHING ART HAS GIVEN ME

Teaching art was scary at first


I’ve been teaching on and off now for the past 20 plus years. At first I was petrified. In fact I really feel sorry for the first students I had back in the early 90’s at BYU – I wasn’t very good at my craft which caused my teaching to suffer. I hadn’t put in enough time to formulate my opinions about image creation. 

Be committed to your students and your Art craft. 

Fast forward to the present – boy am I glad I didn’t quit after those first few teaching experiences! I strongly believe in exposure therapy. Afraid to skydive? Go skydiving, still afraid? Go a bunch of times. Afraid of a tax audit? Good you should be, don’t mess with the IRS. But,  I really believe that if you’re committed to helping your students learn it will improve your understanding of the subject 10 fold – especially in a subjective subject like art.

The Process

You do something that’s working in your painting. You have to explain it to someone else. You have to formulate words to describe your process. You hear your own words like you’ve never heard them before. You make a stronger connection. You make other connections with other principles. You now have to live by those principles for accountability to your students. Your art making improves. Apply, Rinse & repeat.

Making a difference in the lives of others is priceless.

But it doesn’t stop there. Because as you help someone else attain the satisfaction you have gained you are rewarded emotionally as well. The connections are so much a part of the teaching. Feeling like you can make a difference in the lives of others is priceless. I have made many friends over the years from some of my former students- and can you have too many friends?
And it doesn’t stop there either because it has helped me heal. I’ve talked about my horrible public school experience as a child on my other blog in the past so I won’t go into it again – but finding what you’re good at and feeling valuable doing it has been very therapeutic.I can’t begin to tell you how rewarding it has been to teach at UVU and be able to start Folio Academy with Wayne Andreason and now SVS with Jake Parker. To be able to dream up a class and offer it online is such an amazing turn for me. When we get together the ideas just start flowing and we think of all kinds of classes. Early next year we plan to offer a  “Luminous Color & Light” class. You can check out our Digital Painting class here.

My suggestion to artists:

Start by mentoring another artist or volunteer at a community art program. Donate your time at various art events and offer pointers. Work to learn. You’ll be amazed at how it will inspire you to want to create more…and you might find yourself teaching at an institution or online sometime down the road. The world is getting connected and if you embrace it – it will embrace you.