B&W Scratch Board Fish: Another Demo

Scratch Board Artwork of a Fish.

Another piece that never saw the lght light

So I did a demo, again, and I ended up, again, with a piece of artwork that gets no fame, no glory. Kinda like doing assignments for school or for yourself if you are self teaching. Those precious works of art that sit forever in your portfolio or in a flat file. Or maybe, just maybe, your mom still has room on her fridge for some of you little gems.

I’m posting this Demo I Did awhile ago, then back to storage

FISH HOOKED
I’ve been busy plus I’ve been working with Folio Academy and with a few projects for hire. I’m not allowed to post the work from the projects because my clients don’t want them visible before their products release. So I decided to start from scratch. (pun intended) So I dug this out – a scratch board I did a few years ago for my R.O.P. art class in California. I liked the piece but it never saw the light of day – it was a demo. The class loved it. I am their favorite scratch board artist and I’m not even a scratch board artist. Plus, this little guy finally gets to rear his scratchy little face.
There there my little fishy friend, like my little wizard friend, you finally get your 15 minutes.

Black and White Art Work is a Good Place to Learn Good Design

A good illustration should work well in black and white if it is going to work well in color. So whether you are working in black and white, or color, you want to design your drawing, work out the details. Work out your value patterns, and design. Mark Summers is a master of black and white and when he colors one of his Illustrations, it still reads very well because it works so well in black and white first.

My Favorite Scratch Board Artist is Mark Summers. 

Composers ~mark summers
I find scratch board art kind of tedious, Scratching away so little at a time. But for those who enjoy it, it could be realy enjoyable. I would like to see how Mark Summers works. His stuff kicks my butt. I guess what I’m saying is that if you really want to go scratch board, you  should look to Mark Summers, the Illustrator not the game show host. I am not sure if his just looks better nest to mine or if it is really that good. Nope, I can tell, his is really that good. He is quite a craftsman and he has found his niche. Look how he has orchestrated each line rather than just scratching haphazardly like it did. Sweet! Way to go Mr. Summers.

Are Artists Respected for their Skill Like Other Professionals?

 ARE YOU RESPECTED FOR YOUR ARTISTIC ABILITY?

I Don’t think Illustrators get the Respect they Deserve. 

0005 Monster
What do doctors, lawyers, and CPA’s have in common aside from all that schooling? Probably the respect they get for their profession. Sure people often get a second opinion but they don’t go to the plumber – they go to another doctor, lawyer, or accountant.
I’ve wanted to write about this for a while because it irks me that in our profession we’re often not treated as the experts we’ve worked so hard to become. Let me begin by eliminating most of the children’s picture book editors from my upcoming rant. I’ve never been treated more like a professional than by my picture book editors. I’m talking about the clients we’ve had who don’t respect our schooling and work experience in freelance illustration. Do you ever feel trapped by your work? Hopefully this post will help you re-evaluate the people you choose to work for.

Death Design by Committee, Death of a good Illustration

art by Brett Helquist

I find it really troublesome that we are often asked to make arbitrary, superfluous, unnecessary, and downright stupid changes that ruin the design and composition by clients that have no art training. It’s the equivalent of me telling my surgeon where and how to cut – my attorney what motions to file and my CPA what strategies he should use to save me money. Don’t get me wrong – I’m not talking about back and forth conversations about art direction and options to consider before beginning sketches – and I’m not talking about good feedback on sketches or final art. I’m talking about bone headed decisions like eliminating colors that the art director happens to personally dislike. I’m talking about cluttering up good design with extra elements that don’t enhance the story or eliminating elements that are important to visual literacy. I’m talking about making content changes based on fear and most importantly the all too familiar “design by committee approach”.

What is Design by Committee?

What is “design by committee” you ask? It’s when companies (often educational text book or software companies) have multiple team and management members that have to “sign off” or agree on all stages of the artwork before it can be approved and the artists are allowed to proceed. For instance, the illustrator receives the assignment and emails sketches to his/her art director. The one person who understands art and good design, the art director isn’t respected or trusted to make decisions and approvals either! The sketches must pass by each team members desk. This sets up a dicey situation for each team member as well. If a particular person in this chain likes everything he or she sees – he or she might feel that he or she isn’t doing his or her job by sending it through without changes. Since nobody in this donkey conga line wants to appear lazy they conjure up changes they often don’t believe in and punt to the next drone. Sometimes I find myself stifling the laughter listening to the poor art director trying to justify conflicting moronic changes that even he/she doesn’t believe in.
The result is a bunch of sketches sent back to the illustrator marked up like a failing high school research paper. I’ve gotten them back looking like college football play charts. It’s interesting to me that this hasn’t been my experience in the picture book world – and picture books cost tens of thousands of dollars more to produce than a few pages in a text book. With my picture book projects I get very thoughtful comments and requests that are sensitive to my intentions and desires. We work back and forth to find solutions that address concerns but it’s not dictatorial by nature and there certainly aren’t the sheer quantity of rage conjuring idiotic arbitrary “one for the gipper” comments.

Why Aren’t Artists Trusted for their abilities? 

What is it with art? Why aren’t our skills appreciated and trusted? Why do people think they can direct a painting when they don’t know how to design, draw, or paint? Why do people think they can publish without hiring skilled graphic designers? Graphic design is a science unto itself yet for some reason it seems to be a skill that is greatly under appreciated. I mean am I missing something? Do we hire college soccer coaches who have never played soccer? Do we hire conductors who have never studied music? Do customers go into the kitchen to tell the head chef how to cook the dish?
The answer can most likely be traced back to our schooling. Since it was never taught as a serious subject to all of us beginning in elementary school it is a discipline that is grossly misunderstood by the masses. “But Will, medicine, law, and accounting weren’t taught broadly either. Yes, but each of them have a level of mystery that are inherent to each discipline. Art on the other hand is very accessible. We see it for what it is. We can own it, touch it, commission it, clip it, steal it, share it, print it, etc. But does access devalue it’s creative process? Apparently so to some. (sarcasm intended)
Lately I have been listening to my client incompetence radar and turning down assignments that smell of the aforementioned disrespect. I love working on a good project with a great art director, editor, creative director, etc. – but life is too short to spend bitterly and angrily working with people who don’t value what I bring to the table.

What Can We Do?

If you’re serious about this business you can do a few things to help yourself and your fellow illustrators. If you find yourself in a situation like I’ve mentioned you can be respectful and politely challenge decisions if they are contrary to your artistic sensibilities. Don’t challenge for the sake of the challenge and when you do challenge – be solution oriented. Try to get what you want by offering another option that achieves what your art director wants while giving you more of a change you can live with. Agree to making some changes that you don’t agree with to help you win a few of the the more important battles. The better we are at communication – the better clients we will ultimately share.

Gallery artist vs Illustrator? Though I could be a Gallery Artist. LOL

Should I do fine art for a gallery, or Illustrate?

I painted this thinking I wanted to do Gallery work

South Western DInner

 

Oh the glamour and prestige of being a fine artist 

This was a painting I did when I thought it would be fun, exciting, Okay glamorous,  to sell fine art in a gallery… Don’t we all just want to just paint for fun and hang our stuff in galleries all over the world and just kick back and sign autographs and check the mail box for money every day.

Now accepting offers from galleries for my art- Lol

So I had this south western idea and my own little style. I was creating my niche. Don’t poke fun of the perspective, “I did that on purpose”. (art speak) I painted this and really enjoyed doing it. No deadline, no art director, just me and the paint, and my dog Poochy bugging my to scratch her neck and go for a walk.

walk with Poochy

Here’s Poochy, and me, in the boardroom.

Then I realized that finding a gallery that wanted my work was going to be a stretch… and I would have to frame everything on my dime… and then there’s shipping… and wearing an earring… and a black turtleneck sweater… and growing a ponytail… and pretending to be be tortured … and I would have to smoke peyote… and go vegan… and lose weight… plus I couldn’t think of anything else I really wanted to paint… then I was glad I had an illustration career… and I scratched Poochy’s neck and took a walk.

Life is wonderful :)

There Once was a Cowpoke who Swallowed an Ant: A Picture Book

Children’s Book Writer, Helen Ketteman & Artist, Will Terry Team Up Once again

Yet another wonderful picture book for all ages, especially children.

0002 Cow poke 1

I don’t care how many children’s books you’ve illustrated it’s always exciting to get that box of new books from the UPS guy – who I gave a BIG hug to – it was awkward.
This book is now available at many retailers and it’s the the fourth book I’ve illustrated by Helen Ketteman (Published by Albert Whitman) What a sweet lady! I had the opportunity to get into a car wreck with her in Houston. We were in the same car when her friend (who was driving) got into a crash. Everyone was fine but it was really nice to see how she comforted her friend who was quite frazzled. You can really tell a lot about someone’s character when they’re under stress.

School teacher turned author. 

0002 Cow poke 2Helen is one of those school teachers turned author – dangerous! I think that’s why she writes such fun books that kids really seem to love. This one is just pure fun. I think there’s been a shift towards books that teach a moral or celebrate a historical event. This book is just fun. Is it ok that we let kids just be kids sometimes and have fun? I’m still a kid and I like to have a little fun once and a while…ok all the time.

0002 Cow poke 3

Anyway if you’re looking for a fun book that doesn’t teach a darn thing your children might like this one!Buy There Once Was a Cowpoke Who Swallowed An Ant

 

Kid’s choice; favorite book to have read to them

Cow poke swallowing a texas long horn steerI keep hearing kids say this is their favorite book to have read to them in March you can find it at amazon, and read it to a kid. 
Favorite place to lean art? At home on the computer.

Not All Illustrations Get to be in the Show

Cow poke 5 All that work, and then ‘no’, this little illustration is a still borne. It doesn’t get to live and breath and be a part of the book.

Hmmm… Wonder what I should order? 

It seems to be a lot of problems accidentally swallowing critters in children’s publishing these days…
Wow, everyone likes this book. (Thanks to Photoshop)
Cow poke 6 Cow poke 7

Illustration Demo for BYU Art Students

Art Demonstration for an illustration Class at BYU

 I may offend them with a BYU alumni overweight, and smoking!

I was asked by Greg Newbold to do a demo in his illustration classes… so I racked my brain to come up with something that would be FUN but non-offensive to the students. Well not TOO offensive.

Behold! the sketch I came up with. Fun? Offensive? Art?

I really like this sketch and I’m going to paint it but I’m concerned that the student’s might not like that I’ve decided to portray a BYU alumni overweight. And as many of you know, they don’t smoke, so I am taking a little risk here. Not to worry, they may be Mormons but they aren’t that uptight.  :)

Finished, Acrylic paint over Photoshop printed background.

Six hours to paint it

BYU alumnusThis is the finish art demo: It was a lot of fun working on it and talking to students. I was happy that they thought it was funny… or at least, didn’t beat me up for poking fun. I worked on it in class for about 4 hours and spent an additional 2 at home with a few finishing touches.

 

Digital Stage, no lighter than 50% value.

This is the beginnings of my digital stage where I Scan in my sketch, take that into Photoshop and airbrush some smooth, basic colors and keep them kind of dark. My main concern is getting everything no lighter than about 50% value.

Using Photoshop I spent about 20 minutes laying in shadows and basic foundation colors. Then I printed it on watercolor paper. The next step in this method was to stipple a layer of acrylic gel medium over the print. I use a kind of short hair paint brush and a little Gel Medium at a time and stipple it onto the paper, giving it millions of little tiny peaks. Aka tooth. The gel drys clear so you can paint with acrylics right over it. Building up the lighter areas. And of course saving the highlights for last.

 

Painting Color and Light for illustrators and artists: contest part 2

Start with a good drawing.

There’s still time, to do the Coloring contest, see post

It seldom works to start with a bad design and then just fix it with color. Good light and color will look better with a well designed drawing.

It would be nice to give you all the answers but I think I’ll give you all the questions, that way you can come up with the answers.

Things to consider for your artwork

Light and Shadow What is value and how is it used?

What are gradients and how do they work in a drawing?

Can drawings work in mostly light values, dark values, both?

Lighting shapes, What direction should my light be coming from?

How does light fall on a sphere, cube, cylinder, & human form?

What is the relationship between the darkest dark and lightest light?

Why is reflected light important to show form?

What are cast shadows and what happens to their edges?

What direction do shadows go?

What are occlusion shadows?

Painting Color, What colors should I buy or use?

Are white and black colors?

Should you ever use black?

What happens when you mix various colors?

What are cold & warm colors?

What is a vibrating color?

What are color opposites?

What’s the difference between primary, secondary, and tertiary colors?

What are tints, shades, and gradients?

What is a triad?

How can you neutralize two colors?

What’s is a complimentary color scheme and an analogous color scheme?

How can I get rich color in my painting?

Where can I learn to draw and paint better?

How can I enter the little coloring art contest for artists and illustrators everywhere?

Cover Art for Storywoks Magazine

Art (slash) Illustration for a Magazine Cover

Magic carpet ride over bookish buildings

magic carpet

Kids having fun with a reading theme

I was excited to take this job. I was happy to draw and illustrate this fun assignment: “Kids having fun with a reading theme”. It was a lot of fun to come up with the whimsical idea of a kid all freaking out on this wild magic carpet ride while his dog is hanging on like a pit bull and he little sister, or brother, not at all afraid of the potential danger all around, just curled up with a good book and having a great time.

My transition to digital phase

This was done during my “transition to digital” phase. I started my transition by saving time just going into Photoshop to crank out a quick back ground. Just spray in a gradient and print it out on good paper and vuala! Most of the boring part done. So this piece was a little painful because I produced it 100% in acrylics. Not because the client wanted it in acrylics. Not because I had more time to kill, but because my printer has finally given up trying to please me. We are no longer friends and I have banished it to the garage….And then we moved, and I hope that hateful printer is still in that garage thinking it will still have a life someday, and wondering why I haven’t come and apologized and plugged him back in. Sense any hostility?

100% ACRYLIC PAINTING ON PAPER, THE OLD FASHIONED WAY.

So it was back to my old fashioned way of painting with acrylics. Tone the paper and painstakingly dry brush a gradient back ground and then finally get to the painting. Eventually, even that became too painstaking for me, and I have pretty well converted to 100% digi. (That is short for digital, I think) Ho the dread learning curve. Now I’m happy I made the switch. lol :)

PRACTICE for PAINTING COLOR & LIGHT; ART CONTEST

Homework for Painting Color & Light

Here is a little assignment you can do, or not, but if you would like to, take the challenge and see what you come up with.
I would love to see what you come up with and maybe blog some of it. If you do something pretty cool, attach it to me in and email. Well, don’t attach it to me, attach it to an email and email it to me to my personal email.
WayneAndreason@Gmail dot com

Art Contest 

(I just got an idea forming in my brain, this is now an art contest or a painting contest, or maybe a coloring contest, either way, see below, or the bottom, or the end of this blog for details.)

Just Color These

If you can figure out how to download these drawings, or save them to your computer or device, print if you wish to paint traditionally, or work digitally if you’d rather. Or do your best to draw them.
Then color them.

Variations of a theme. 

Colored-Mushrooms-lineSM

Take these mushrooms and make set different. That is, color them different colors, explore different light, colors and what ever. We have an example at the end of this blog if you want to see some possibilities.

Complex things are made of basic shapes

practiceDrawing

Bare in mind, that most things are built with basic shapes, so this is simplified. Take it and decide what you will do with it. Light source and direction. Warm light, or cold, dark and dingy or light and cheery, you decide, add detail if you like.
Santa Claus (AKA Father x-mas) on a Tropical Island

SantaBeachValue

So Santa is on the beach. See what you can do with color on this one. Is it morning, is it noon day, is it evening, morning, or night? You decide. Do one in the day and one in the night if you dare. Same scene but Night vs Day.
Mad Scientist in his Laboratory

jakes

This is an awesome black and white that Jake Parker drew during his Inktober phase last year. This could be realy fun to color, heck it’s fun just the way it is. Think of what you could do with color. You could use harsh light, contrasted by soft light, maybe some creepy fog. Have fun with it. This should be fun for comic book and graphic novel lovers.
and this is “below, the bottom, and the end of this blog”

contest details: 

Entries must be emailed to me WayneAndreason@gmail dot com (that’s code, figure it out, the dot means period and there are no spaces) as an attachment in the form of JPEG, no later than one week from today, Okay, 8 days, take Sunday off and go to church for a change. (this was an attempt at humor, please don’t take offence, I can only be so PC)

We will find some artists in the community to judge the artwork who will choose 1 to 4 winners, depending on how many entries we get. Or maybe I should say 0 to 4 winners as we may not get any entries.

By entering a piece or more, you are giving permission for that piece to be displayed on the internet etc. Just in case.

The winner/winners will get a FREE Folio Academy art lesson course of their choice.

Contestants are not allowed to EVER be offended by Will’s or my attempt at humor. We mean no harm, except to that girl named Tammy who tore up a picture I drew of a dinosaur back in second grade. I do mean to offend her but she can still enter. I promise I won’t tear it up. I think her last name was Roundy.

and oh yeah, you can’t go around selling it as your own work as the drawings are drawn by Will Terry

and Jake Parker who are famous artists and hold copyrights.

have fun.

EXAMPLE: COLORED MUSHROOMS

So we took the mushroom theme and ran with it to give you and example of what you could do.

Colored-Mushrooms

 

 

 

 

 

 

 

PS if you know Tammy Roundy that went to Lincoln Elementary school in Salt Lake City about 45 years ago, tell her to friend me on FB. Any of you may friend me too. thanks. Your best friend, Wayne  https://www.facebook.com/wayne.andreason

Climbing the Corporate Ladder

Editorial Piece about Women Climbing the Corporate Ladder

editorial illustration from over a decade ago

Originally printed for Hispanic Magazine.
corporate ladder

One of my oldies that I painted the old fashioned way with real acrylic paint and real brushes. Now days I do most of my artwork using pixels. Digital art work is just faster and… well you’ve heard me say it before and you’ll hear it again. I am not dissing on traditional painting, in fact I love the real stuff. And I encourage every artist to learn to manipulate real pigment.

LOOKING BACK

Looking at this takes me back. If you’ll notice, I would paint or tone the canvas or paper, with a rather dark color, and then paint lighter colors on top and slowly build up the painting with a very dry brush. Leaving a lot of the toned background to show through. In a nutshell, that is my acrylic painting style.

A VISUAL ARTS DEGREE ISN’T NECESSARY

Better Get that “ART” Degree So You Can Make Money?

Universities give degrees to who haven’t mastered their craft

Apple

Question: Why don’t companies like: Disney, Pixar, Sony, Blizzard, Microsoft, Blue Sky, Mattel, Hasbro, Random House, Harper Collins, Scholastic and Folio Academy hire artists based on whether or not they have a college degree?

Answer: Lets cut to the chase – it’s because colleges and Universities routinely give degrees to students who haven’t mastered their craft. And because many “students” master their craft with out ever getting that “invaluable” certificate of diplomacy. This really isn’t news but I thought I’d briefly write about this so I have a link to send to artists who ask me for advice on what degree they should get? recently an artist wrote to me asking what colleges look the best on a resume for animation studios.

Companies want you portfolio, not your diploma

If a bachelor’s degree in visual arts said anything about the quality of the students pumped out each year, companies would interview and require applicants with BA’s and BFA’s. The truth is that these companies couldn’t care less that you have a degree. They want to see what you can do. They want to look at your portfolio. They also want you to be semi normal but that’s another discussion, don’t eat paint.

BUT Most of the Professional artists Went to School

Most professional illustrators DID go through a University or art school program. While that is true, it doesn’t mean the DIPLOMA is what made them a Pro. Most artists (most people) aren’t motivated enough to impose the rigorous hours of practice necessary or even know what to practice on in order to become a professional. Schools provide an immersion of exposure to mentors, professionals, assignments, markets, networking, methods as well as techniques, history, standards, and philosophies. These introductions can unlock hidden talent, desires and passions the beginning student never knew they had. So ironically, maybe you should go to school (and that could mean everything from University to art school to online classes and tutorials – one or a mixture of them) to get good at your craft but don’t think too much about the certificate you get – nobody is going to ask for it. And they don’t hand out cushy jobs and art careers with the diplomas either.

You do need that degree in order to teach. 

You don’t need a degree to teach, unless you want to teach in a formal setting. The bachelors degree is really only valuable if you want to teach at a public or private school, institution, or college and then you will need a masters degree to top it off. Ironically, the school probably doesn’t care if you can do or if you can teach, they care if you have that “invaluable” certificate of diplomacy. What’s that old saying?

“Those who can, do; those who can’t, teach.”

Prov. People who are able to do something well can do that thing for a living, while people who are not able to do anything that well make a living by teaching. (Used to disparage teachers. From George Bernard Shaw’s Man and Superman.)

And oh yeah – getting a degree WILL make your parents happy.