Submitting and sizing your art for children’s book publishing

Posted on August 22, 2014 by Will Terry

Know about SCBWI. Society of Children’s Book Writers and Illustrators.

If you are new to publishing Female artist at drawing board and you want to get into it. And you don’t know much about it but you are willing to learn… “So you want to be a children’s author or book illustrator?” You really should look into SCBWI, Society of Children’s Book Writers and Illustrators

http://www.scbwi.org/ It is the largest organization for children’s book writers and illustrators. It is a great connection for authors
and illustrators. If you are looking to do your own self publishing, they aren’t that helpful and they are just starting to get involved with e-publishing, but for the most part, SCBWI is the place to be if you are getting started or if you are already started in traditional publishing for picture book writers and illustrators. They have chapters in every major area in the US and they are abroad as well.

There are over 20,000 members, (I believe) and you should be a part of it for your own good. Just Google it for your area and start being a part of it and getting in touch with the group in your area and start attending their conferences and learning from them. That is the organization that you want to be a part of.

When it comes picture book illustrations, SIZE MATTERS!

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What size or format should you create your art for submitting it to publishers.
If you are a writer illustrator or if you are just an illustrator and you want to submit some of your stuff to publishers to be considered, you may be asking yourself what size and shape should you make your artwork. I would say, follow standard guidelines. Your basic 8.5” x 11” format is fine. When you are hired or commissioned to do a book, the publisher will usually decide what proportion the book should be. Very few are square or odd shaped.

Don’t write and illustrate the whole book!

A lot of writer artists want to finish the whole book and submit that.
The publisher doesn’t care to receive the whole finished book, and that would be a waste of time and effort anyway. It doesn’t make any sense to fret over getting the whole thing right and perfected. They don’t want it all done, they would rather see a good “book dummy”. They have professional art directors and editors and people that know the science of making or helping that book succeed. So when they choose your book, they will want to set the parameters and THEN have you do what you do best, illustrate.
Many would say that there is a right way and a wrong way, but there are rarely any hard fast perfect, right way, rules. For example if you go to a SCBWI conference you may hear one editor say, “I prefer a mock up book in the mail” or “I like to get a PDF so I don’t have to worry about losing it or whatever, it’s quicker”, and others who like other stuff, etc”.

Put your best foot forward, Presentation matters.

Cow poke 7 So you should make a book, DUMMY! I don’t mean to call you a dummy, I mean a “book dummy”. I may have said that there aren’t any right or wrong ways to submit your picture book but really there are a LOT of WRONG ways… For example, a sloppy demo would be a wrong way, presentation does matter. Let it show that you care, that you are creative. A nice, clean, clear presentation would be a RIGHT way. I personally like to use a PDF, It is fast, easy, clean, neat, accurate and inexpensive. If it gets lost in the (e)mail, send it again, it’s free and easy.
So send a book dummy with your sketches, and a few “finished” pieces. That way, they know what you are doing. They understand the idea and they can see from the one or two finished pieces convey your ability to paint and bring those sketches to a finished illustration.
Put your best foot foreword. You should spend some time on this mockup or book dummy, this is your sales pitch and it is a competitive world out there. You need to be willing to spend some time on that dummy so that it gets their attention and holds on to it.

Self Publishers should get the facts first.

For self publishers… Talk to the printer that you will be hiring, ask a few questions.
Paper costs money and it comes in certain sizes and when they print, there are better ways to lay it out to maximize your paper per book ratio. That is why there are tipically 32 pages long, it’s because they print it on the BIG paper, fold it, bind it and cut it. Multiples of four. So work with the printer to determine the best size and shape and number of pages so you can maximize your pages per dollar.

There is no Perfect answer to the size and lay out for apps and e-books question.

What about sizing for my apps and e-book? That is a GOOD question, the sad truth is, there is NO magic answer for that question. There are so many different sizes AND proportions for each different devise. So there will be extra space or you can stretch your image. All of these are bad solutions. So on one device the image will fit flush or a full bleed.

One universal solution could be to make your artwork big enough to crop for every other device BUT that will cost you a ton. That would be a programming night mare. You got kindle and nook, devised to be held vertically, not horizontal, not quite right for a picture book.

My advice would be to make it for the i-Pad.

The i-Pad is the nicest looking device and the most popular for digital picture books and apps. (at present) So it may be advantageous to just create for the i-Pad.

One more last plug for SCBWI.

You really should consider becoming a part of the SCBWI.

More SCBWI people are published than non SCBWI goers. If you were to poll 1000 people who attend SCBWI conference attenders who submit to publishers, and 1000 who don’t attend SCBWI, but submit, I believe you would discover that a lot more of the SCBWI goers are being chosen and published than the non SCBWI folk.
I feel like the artist’s rep is a dying bread. Because of the internet, and the immediacy and quick ability to look through your portfolio and see your style, the publisher and the artist, just doesn’t need the artist’s rep any more.
The Righter on the other hand, can still benefit by having an Agent, (the rep for the writer). The publisher can’t just glance through your work and get the jest of it where they can with your artwork.

Good luck and enjoy life. Relax, draw, paint, Life is good.

Just Thumbing through my sketch book.

Posted on August 18, 2014 by Will Terry

Back when I was designing characters for Nasty Bugs.

A page or two from my sketch book

Here is a little image of a page or two from my sketch book.

Takes me back, I had just finished an e-book, (self published) called Tickle Bugs. Back off, it was for kids. Any way, when I got this buggy job from Dutton. I just had to design and draw a bunch of cute little bugs again. Fun huh.

Nasty Bugs, by Lee Bennett Hopkins (Author) , Will Terry (Illustrator)

These sketches are characters that made their debut in a book called Nasty Bugs. It’s a really fun book and I couldn’t wait to start painting it as soon as all my sketches were finally approved.

I remember I was still trying to figure out how to draw with my Wacom tablet at the time, I could paint with it but I still wasn’t able to get the sensitivity I get with pencil and paper. Perhaps it was the lack of texture provided by the tablet – or the disconnect between my hand, eye, and computer monitor, maybe I’m just stupe. Anyway, I would continue to force myself to practice it until frustration would eventually win and I would hit print and finish it on paper. That practice has paid off by the way.

A page from Nasty Bugs

Love how this one project turned out. Painting in Photoshop makes it so much more do-able to paint in the stink, undo it if it isn’t just right, do it over and adjust the transparency and color til it looks like stink. Or smoke or steam. (there is now steam tool in a Photoshop plug in by the way. That was an April fool’s prank. Sorry.

if you missed that one you really need to check out our April 1, 2014 blog post. It is still fun to share to unsuspecting artists and artist wannabes for a good prank.

Drawing & Painting on iPad Demo using Procreate & Speed Painting

Posted on August 15, 2014 by Will Terry

Artist Demo on iPad using Procreate and a Cheap Stylus

Working From General to Specific I start by Roughing it in

Last week I mentioned that I “found the perfect Stylus” and I showed you a few steps and told you to work from general to specific, as I was taught by my friend and mentor, Robert Barrett. AKA Bob Barrett.

This was a little 2 hr drawing, of a Rat character that I did in Procreate. I had this Idea to draw a little rat that made made an umbrella out of an orange peal and a tooth pick.

Video below for Artists who hate to read

If you are like me and you don’t like to read. I get a lot of questions about my process so I thought I’d do a little demo, in fact if you scroll to the bottom you can just watch the video. It’s a speed painting but I talk it through.

Start your drawing by blocking in your sketch

000 Wet Rat 02 000 Wet Rat 03

I always start by blocking in the basic shapes. I’m on my iPad right here, if you saw last weeks post, you may remember that I use a real cheap Targus stylus pen, stylus that you can get for about $12.00 at Target or Walmart. I like the blunt tip, as I like to block in the basics to start.

But what about detail? Keep reading.

Add Detail with a blunt tip by Zooming In

000 Wet Rat 05 000 Wet Rat 06

What you won’t see in these pics or the video below, is that I am zooming in to add detail. If you get the basic shapes in first, you don’t need to worry about ruining it by adding detail too soon. Plus, zooming in to add eyelashes and fur and stuff and I am putting it in the right places as the basic shapes are there. So when I zoom in, I still know where I am.

Work the entire picture as you go for a constant look.

000 Wet Rat 07 000 Wet Rat 08 I don’t work one spot to completion but rather, I go over the entire picture over and over again. As I add fur, I do it all over then add a little more, then work something else, like more fur, shade etc. Bringing the entire sketch, slowly to a more finished look. Not staying in one place too long. This also helps you get a consistent feel throughout the entire painting. This way I am happy with it before I dive into the detail. General to specific I tell you. Bob knows his stuff.

I use a few layers but not a lot.

000 Wet Rat 09 I used three or four layers on this drawing. Then I flatten them down. And maybe add another layer, so I can edit new stuff before I flatten it down again. I like to use a new layer when I start on another area. That way you can edit as you go. After I get the drawing complete, more or less, I can add color. Note how I add color to the whole piece 000 Wet Rat 01 then move to some more color. Once the value and basic color is in place, I work some more color. Shadows and highlights.

This is not how I usually Paint, but…

Warning! there will be a few adds here and links our website store.

On my children’s books and bigger illustrations, I work differently. I might get started on my iPad then move it to my desk top and use my Cintiq monitor or Wacom tablet and Photoshop. I would add the color there and add the detail later. Probably because of the size of the full spread files and what not. I am finishing this one in Procreate for demo purposes. One of the cool things with Procreate is that you can export your video, going into tools while in your drawing, export it, like to Drop Box and it sends out a little MP4 file. There I can work faster, esp with the Cintiq monitor. Plus I can get the texture that I really want. I like the Progreate tools but I prefer the Cintiq monitor or Wacom tablet for adding the detail and color.

When I Illustrate Children’s Books, I Use my Cingiq Monitor.

If you want to see more on that, you can find tutorials on FolioAcademy. There are a lot of digital video courses, like for Photoshop, How to illustrate children’s books, how to design a drawing and a lot more. Here is where you can find my courses and you can also choose from a lot of other artist instructors.

iPad Speed painting Demo Video using Procreate & a cheap stylus

I Found the PERFECT Stylus For Drawing and Painting on iPad – Procreate App

Posted on August 8, 2014 by Will Terry

Finaly! The Perfect Stylus For Doing Your Art on iPad

ARtist, Will Terry used to use His finger to create art on his iPad

I use a fat bulbous stylus

I have found the perfect stylus for drawing and painting and doing all that digital artwork on my iPad. Using a Procreate drawing app. I used to use my finger, in Photoshop and in Procreate. As you know, the best stylus is the one you have with you and you should always have your fingers, or at least one of your fingers with
you. I have changed my mind since I’v found this. See the pictures.

How can this bulbous pointed thing be a good stylus?

000 Stylus 02 But when you draw with something blunt like this, you are less likely to get that into detail too soon. Like if you are painting, William Whitaker says you should go for the biggest brush you dare to use and then grab one a little bigger.

So with this bulbous, fat, blunt stylus, I just start drawing.

Artist Will Terry displays a few sketches on his iPad

See sketches there to the right.

I first come up with a few sketches, doing all my initial design for my images with the fat stylus right on my iPad or on my Cintiq monitor.

I turn my design into a composition.

My Simple Composition

Just like when you paint in Photoshop, you want to start with huge clunky brushes. All the realy great Photoshop artists use a big brush in Photoshop.

Then Work the Composition into a Painting

The comp there, became THIS Painting which I just finished on my cintiq monitor. You may remember it from a previous post. See it here on my Cintiq monitor as well.

000 Stylus 06 So when you are painting, Start with a big brush and when you are painting digitally, start with a big stylus like the one I use now instead of my finger.

This Fish King Painting was done with the fat Stylus

This Fish King Painting was done with this stylus that I displayed above. You may remember it from a previous post.

You can spend over $100 on a stylus

I am asked here at FolioAcademy, ALL THE TIME, Will, What stylus should I get? What is the best one for me? Which one are you using? Should I get the one that has a little plastic tip? Or one with pressure sensitivity or virtual pressure sensitivity. (I don’t know about that, because it may be for you if your painting style requires some of that, and that could be a good one).

OK it may not be the very best Stylus, but it’s the best for me.

000 Stylus 08

OK I admit I said I found the best stylus but I have to admit that it may not be the best for you. It probably is, however, you may be light years ahead of me and using one of those artsy, schmancy, pressure sensitive, new fangled, expensive, high falutin types.

For me, the $12.00, blunt tipped, stylus you can get at Target or the basic store. I think I spent $12.00 on mine. And if and when it wares out or gets lost, I am not out a whole lot of money.

Paint and Draw from General to Specific, Digitally and Traditionally

So to recap, you should know this already but if you don’t, you should start rough, and work from general to specific. That was drilled into us at BYU by the Dean of the Illustration Department, Robert Barrett, and he was right. After you get your painting blocked in, or your drawing roughed in, then you can go in and start picking out, or putting in, the detail. So many paintings are ruined because the artist starts noodling it to death and working on detail when the basic shapes and design are still not worked out or defined. In a word, use a fat stylus.

I will post a demo next week of a sketch to a nearly finished piece.

Photoshop Speed Painting of a Damsel in a Tower

Posted on August 4, 2014 by Will Terry

Fairy Tale, Digital SpeedPainting of a Beautiful Girl in a Tower

Video looks better with the right music

This little speed painting is set to a Tori Amos tune that makes this little digital speed painting look a lot nicer. It’s funny how the audio can make the picture that much nicer. If you don’t know what I’m talking about, watch this again with out the sound. Notice when you are watching a movie trailer or preview, the sound makes you want to watch the movie. try watching a few previews with the sound off, you will see what your not hearing. It isn’t as pretty.

Painting (with Photoshop) Just for Because!!!

I love my work and I love the projects I’m working on but sometimes I get an urge to create something different and that feeling will gnaw at me until I stuff it with a free painting day.This was a sketch I did while in church (of course I was listening – shut up and just don’t ask what the sermon was about) and I thought it would be fun to record it and set it to music – I was right. I’ve always loved this Tori Amos song too and it makes the speed painting look a lot nicer. I’m still loving Photoshop… but it made me want a bigger, badder, meaner, stronger, faster, (six million dollar) computer… and a Cintique. Which by the way, I now have. And I am loving that too. And since it is for my (art) business, it’s tax deductible. (I am not a tax pro and this is not tax advice, please contact your tax professional for any tax deductions of which, you may be entitled. And there are a lot. I think) That being said, be self employed, it’s worth it, I guarantee it. (that is not a guarantee)

Your friend Will Terry of Folioacademy, art lessons online.

So Many Art Teachers Just don’t Teach Art

Posted on August 1, 2014 by Will Terry

Why Do So Many ART Teachers Refuse To Teach ART?

(50% off, ‘How to Design a Drawing’, details below.)

Many Artists learn more from ‘online art courses than in college

I can’t tell you how many artists have told me via Facebook, twitter, YouTube, this blog, email, Skype, etc that they have learned more from online classes like FolioAcademy, SVS and otheres, than they did in four years of Art School at 500 x the price! As much as I’d like to pat myself on the back I won’t. I won’t pretend that I’m doing more than any art teacher should be doing.

How can Artists & illustrators be learning more online than in school?

How can this be happening? My theory is that art was never treated as a serious subject in K-12 and as a result students enter college completely unaware of what they need to learn in a visual arts program. “But Will, I had A Few great art teachers in high school” It happens, but quite often, in fact more often, art teachers spend most of their time managing students that were dumped in their classrooms from the counseling dept. – I know – I taught High School art and I was in High School Art. I believe that a lot of art teachers that don’t teach either never became accomplished in their own work and never learned the rules, or perhaps they’ve simply become lazy and willing to take advantage of the system -a system that pays them just as much for being a great teacher as it pays for being a lousy one. It could also be that they are afraid that they will create clones of themselves who will take away their work – pure nonsense and scarcity thinking. Or maybe they spend too much time babysitting and policing those students that are only there to screw off and cause trouble. Like I say, I was there.

Drama majors, English majors, Music majors, and Dance majors come to college with much more experience than illustration or art majors.

They come with more experience because in Drama, English, Music, and Dance they are taught rules. You can’t have a school play if the actors are taught to act their “feelings”. Obviously you can’t write a story without learning rules about plots, sub plots, climbing action, climax, falling action, resolution. Not to mention, Language, spelling and of course grammar. You can’t make music if everyone is doing their own “interpretation” of the song and you can’t be an effective dancer without learning “moves” moves that were developed by other dancers.

Continue reading →

The Secret Life of a Professional Artist and Freelance Illustrator

Posted on July 25, 2014 by Will Terry

The Secret Life of a Freelance Illustrator; Professional Artist

People know nothing about freelance illustration

It’s amazing how many people know nothing about freelance illustration. I think most people assume you have to be crazy to be a freelancer – they’re probably right. Interestingly enough back when I had my highest earning years back in the late 90’s my wife would get comments from women at the park like: “Has your husband found a job yet?” or “It must be hard being married to an artist”. My wife would say, “you have no idea!” I think she enjoyed messing with them. People with good intent would drop little clues like, “I hear they’re hiring over at Home Depot”.

Being a Professional Artist or Illustrator was easier back then.

Back then being a freelancer was a much easier feat than it is today. I’ve talked at length about the current state of freelance illustration in lectures and one on one. Today the freelance markets are fractured and constantly evolving. I know illustrators who are now bankers, or working at Home Depot. I know editors who are teaching school among other jobs, like at Home Depot. I know editors who are trying to become artists and illustrators. I know illustrators who are now graphic designers or trying to become editors, or work at Home Depot. I even know art directors who have been laid off and re-hired by the same companies to freelance graphic design. I know art directors and editors who have lost their jobs to down sizing and are still looking for their next job. At Home Depot. (the t is silent)

The World has Changed a lot for artists and Illustrators.

The world has probably changed more in the past 10 years than ever before, not counting war or ice ages and crazy stuff like that. I probably sounds naive and over-reaching but can you imagine any other technology that has changed the world in such a short time as the internet? Remember the last time your internet went down and you sat in fetal position sucking your thumb waiting for the horror to end? We can’t do anything without it!

Be happy, Say “no” to bad freelance jobs, and drugs of course.

But I digress. Let me divulge some of my secret activities! Sometimes I don’t get dressed until the afternoon. I’ve skyped without pants (as far as you know) – maybe with you! – but I promise, not with your daughter. I go shopping on weekdays (sometimes at Home Depot) while the world is at work. I work longer and harder than most people with a regular job. I can’t remember the last time I put in fewer than 70 hours in one week, sometimes more than 90 – BUT – they were the funnest (most fun, but hey! I’m an artist trying to be a writer) hours I could imagine putting in. Most days I wake up pinching myself (dream metaphor) that I get to do this. It wasn’t always like this however. It took me about 15 years to learn that my life is so much better off when I don’t spend more than I make and I say “no” to bad freelance jobs. What are bad freelance jobs? The kind that make it hard to sleap and have you cringing when you wake up. I can’t tell you what they are because your bad jobs will be different than mine. And hopefully fewer.

The Lonely Artist; Freelance Illustrating has it’s downsides

I’ve wished I could stand around the water cooler and catch up on the latest chatter. I used to get really lonely painting all day (and got hooked on General Hospital for about a year back in 1993). I’ve called other illustrators randomly from the old directories just to strike up a conversation. I worked on Christmas day once because the client had to have it two days after or they were going to go with someone else. (to be read out loud with a whiny voice) I happened to get paid $13,000 for that job, it was for Sprint, and it only took me about a week to complete. I could do it now digitally in a few days and enjoy Christmas with my family and saved some of that money. And I once earned $20,000 for a phone call (remind me to go into detail on this one on another blog post). Best phone call ever! 2nd best woulda been when when the doctor told me I didn’t have worms. LOL.

‘Underindulgence’: the Key to Happiness?

I’ve learned to spend less than I make. This is probably one of the most important skills you can learn. Stress is a killer…no really…STRESS WILL KILL YOU. I’ve had about 3 really stressful times. And I wake up pinching myself wondering if I died all those times.

1) Back when I was stupid I got down to about $800 in my account for the entire month and I didn’t have any assignments! I was so nervous I made a few calls to art directors I had worked for in the past. A few of them gave me work and then of course I got a deluge of assignments the week after.

2) Back when I was really really stupid – we were spending more than we were making because we were making lots of money. It was right after a year where I turned down over $70,000 worth of freelance work because my plate was already too full in 1998.Yep – we spent all the money in our account and couldn’t get paid from any of my outstanding accounts for about 3 weeks. (Please don’t think I’m seeking any sympathy – in fact you should leave a comment with your best synonym for dumb ass)…Luckily I had been saving quarters, nickels, and dimes in a jar. I’m not kidding, I got that puppy off the shelf and counted out $90. Later that day I had my car filled up and groceries in the fridge. I Kept checking the mailbox but each day there were NO checks. We stopped driving unless it was absolutely necessary. Did I mention that our two credit cards were maxed? The following week when the fridge was empty I went for the back up plan – the penny jar! SHOOWEE – $20 later and I was back with groceries again – amazing how far you can stretch your last $20 bucks. Remind me to give you an in expensive recipe for black eyed peas. Eventually we got paid – crazy thing was that I was owed about $28,000 in outstanding checks but this is the lesson: Don’t spend it until it’s in your account and even then – DON”T SPEND IT!

3) Back when I was Ultra Mega Stupid – we got in over our heads again. (notice a pattern here? some of us have to learn the same lessons over and over) I had about a year when we were going through a really really dry spell for freelance – this was also a transitionary time – it’s a long story – but basically I had to learn all over again how important it is to save money. We survived! We downsized. We learned what we needed to have to be happy and what we could live without.

It’s not how much you make that matters, it’s how much you keep

The good news is that in the past 5 years I’ve had more money than I did when I was earning much much more. We wasted so much money back then. Now I keep enough money in the bank to pay all of our bills for about 9 months. This is enough time to really make drastic changes if things aren’t working out. Don’t tell my fam, they will find something or things we just cant live without and make me spend it all.

So there you go – the secret life of a freelancer isn’t so secret anymore – Ups and downs yes, but it’s the best JOB I’ve NEVER had.

I painted the image above a few months back for National Geographic Learning. It was one of about 8 paintings I completed for an educational project they had for ESL students. I was given the assignment from Cynthia Currie – an art director I hadn’t heard from in about a decade. It was really neat to get a job from her again – I hope she reads my blog so she can see how exciting it was – hint hint!

PS- Here’s that inexpensive recipe for Black Eyed Peas:

1 bag Black eyed peas

Water

Salt

Empty peas into a pot, dig bag out of trash and follow cooking instructions on the package.

Head, Stone: Speed Painting in Photoshop

Posted on July 18, 2014 by Will Terry

Things Happen When you Just Start Drawing

I was sketching in my sketchbook and this just kind of happened…

I hadn’t ever painted a pile of rocks before so of course I had to find out what it would look like in color. I say paint but of I used Photoshop. It still feels like acrylic painting to me. Then the next logical step was to make it into a video. I sent it to my sister Beth who said its boring, “make it cool or something, you need to make something move, it’s a video after all”. So I did, be sure to watch the end. And no, it doesn’t wink. (spoiler alert!) That is an inside joke for all those who actually watched my Giant speed painting video a week or two ago. Plus, a pile of rocks that looks like head, cool huh? I have no idea what is buried beneath but it’s probably something way cool. I don’t know who the kid is either, probably someone way important – seriously – weird things happen when you just start drawing.

Photo shop speed painting, a quick demo of digital painting online

Artists take it on the road

Posted on July 14, 2014 by Will Terry

Artist Road Trip to Chicago

This was awhile back but I hope you’re jealous

So..’m not going to apologize for taking time out of my busy life and driving off to Chicago with two of my good friends. – I’ve been busy – but hey, the guys need a road trip once in awhile. Poor Wayne stayed home there just wasn’t room for the little guy.

Famous children’s book author Rick Walton, the man who wrote Gary’s place, Illustrator Guy Francis, and I drove to the American Library Association Conference back there. We went to promote ourselves to librarians since they recommend books for awards and consumers. It’s an amazing conference/Expo – anything and everything that is used in a library, and a lot of stuff that is not, is being pitched, sold, recommended, hucked, and pushed. From furniture to books it’s all there – and so were we.

We stayed with Eric Rohmann and Candy Fleming in the suburbs the first night – thanks guys for being such wonderful hosts – they invited publicists, editors, authors, librarians, and a few illustrators to a party – Rick gave schmoozing demos.

Rick put Eric’s Caldecott to good use – it was just collecting dust after all.

The view from our hotel – thank you Albert Whitman for putting us up.

We found Laura Seeger signing her books. She is awesome!

My cat allergy wasn’t that bad in Chicago.

Guy finally found a hat that fit.

Rick was almost arrested for public intoxication – we convinced the authorities he was writting a book about poles – a sequel to Holes.

I got to sign in the Albert Whitman booth.

We found Kristyn’s book and took a really stupid picture with it – I don’t really know what the purpose was other than to look really stupid – sorry Kristyn – we un-cooled your cool book. But hey, we pulled off stupid.

If your in Chicago go here – you can start out your day feeling like you just had breakfast, lunch, and dinner.

Why did we go here on a Sunday? and stand in front of this sign? To get our picture taken, why else.

This is why we didn’t have any women in our group!

I got to sign again at a party.

At the Caldecott banquet we heard from Beth Krommes and Neil Gaimon – great speaches on their medals.

Me and Beth – She asked me what I thought of her limited palette – WOW – she….asked me! I hope I said something lever yet intelligent.

Neil was very excited to have yet another photo taken with two strangers – PUT UP WITH IT NEIL!!! HAHA.

Me and Uri Shulevitz….WOW!

We came, we conquered, ….we stopped for nothing!!! NOTHING I TELL YOU!!!

(It’s 1:30 AM)

We thought we had seen it all – then on the drive home…….

Digital Art Frog Demo Speed Painting in Photoshop

Posted on July 7, 2014 by Will Terry

Speed Painting with Photoshop: Digital Art, Frog Demo

4 minute video of my 10 minute Frog Demo in Photoshop

10 min Frog from will terry on Vimeo.

I just needed to have a little fun with my artwork today

So what’s up with this video? I finally felt the art deprivation bug chewing on the back of my neck so I decided to do something purely for fun. This Photoshop painting was done in just over 10 minutes. I paint characters like this for my school visits and project them on a big screen for assemblies. I like to give kids a taste of what my paintings are like and they seem to like it. I love how quiet a few hundred 2nd and 3rd graders become when I start painting my little frog, gator or boar with my Wacom tablet.

Shameless plug alert! Artist for Hire!

I could come to a school near you and paint this lil’ fella as well as talk some art and reading and career talk, if you want – just put me in touch with your librarian or media specialist.