Learn The Will Terry Acrylic Dry Brush Style

Learn The Will Terry Acrylic “Dry Brush” Style 

Here is a little acrylic sketch that FolioAcademy artist/instructor Will Terry did awhile ago. I was a fellow Art Student with him in college back when he was trying to find his niche and style. I remember him looking for a real toothy texture that would peal the paint off his brush. It took him years to master this style but it was worth it.

He eventually developed his own recipe for a painting. The ingredients include thumbnail sketches and getting the drawing designed just right and transferring that onto the paper.

Then getting the texture just right with a clear gel medium that would allow the drawing to show up perfectly.

He then tones the surface usually with a medium value color then adding dark paint where needed and then gradually, using a DRY brush and very little paint, he adds lighter and lighter acrylic paint. Light on Dark.

He teaches this process here at FolioAcademy.com, Just click on the link and purchase his tutorial.

Acrylic Painting by Will Terry

Acrylic Painting

 

WILL YOU CRITIQUE MY ARTWORK?

“Will You Critique My Art?”

I get asked many times each week if I can take a look at someone’s portfolio, project, drawings, or paintings and give them a critique. I love teaching. I love giving critiques because it’s a way I can help others and feel connected. I love being able to share what I’ve learned because I get such a high from working on a piece that’s working. Probably the best thing about helping someone else with their art is watching them make new discoveries and epiphanies. (yes I had to look that word up)

The problem is that I just don’t have time to help everyone who asks. The internet has blessed me with more connections than I can possibly handle. I have my regular freelance workload and I often don’t blog about them due to confidentiality agreements. I am usually working on a picture book – two right now and then there’s my personal story writing/illustrating that I try to find time for and of course Folioacademy.com requires a lot of time and effort. I’m also teaching both online and at the University and then there’s blogging and my family that often gets left out. I’ve been blessed with a wife who supports my daily sanity hikes (we call the outdoors our boardroom) to get away and clear my head and talk shop with my partner Wayne Andreason, but that leaves little extra time to help those of you who have reached out and asked for help.

So I have to say no to everyone to be fair. Please know that it’s not because I don’t want to – I love talking art and sharing my thoughts on your work but most nights I don’t go to bed until 1:00-2:00 am as it is. I have set aside time to help people through my new online SVS class because I wanted to be able to present material in a logical way and then work through a project.

Some have said, “Well I just need a few pointers so it won’t take long.” I’ve known people to make life altering decisions based on a few remarks. I take each critique seriously and realize that a few careless words could have a long lasting impact – so giving critiques when I’m pressed for time is a recipe for disaster.  I want to feel really good about what I think are the two or three things that will really make a difference in the artist’s portfolio – which comes with careful contemplation.

I also get asked to give paid critiques. Again, I don’t have time but beyond that I really like the idea of presenting material through a class because many of the questions are answered through the material and then the critiques are better received and have more meaning.

I hope I have not offended anyone with this message and please know that I love getting your emails, letters, and comments! There just isn’t enough time in the day for me to do everything I want to do.

Santa Pups Children’s Book Coming Soon

Children’s book Illustration in Progress

While FolioAcademy is my first priority, I also teach illustration at UVU and I am of course I am a freelance illustrator.
Presently I am working on Santa Pups by Jerry Pallatta – Scholastic.
Since it has all these dogs in it, I’ve been having a great time working on it -It’s a very simple but funny story where Santa decides to try different breeds of dogs to pull his sled one year. These are the Mutts and they want to go in every direction! This has been such a fun story to work on! I even got to work my dog Pooch into it! How did they know I’m such a dog guy? It’s like the dog gods were smiling down on me when I got this job! I even got to work the author and editor’s dogs into a few of the illustrations! Working as an illustrator is so much fun because you never know what kind of projects you’ll get to work on from month to month.
Pic of Pooch the dog and Will Terry, the artist. Will's face is photo shopped onto a dogs body.

I’m out of here – going for a walk with Pooch – later.

Phases of this Textbook Cover Illustration

My Art Process for the Phases of this Cover Illustration

The Sketch

Element hired me to do the cover art for an English language text book.

– the idea is that by learning English you become more free to pursue whatever you want.
– that more doors are open to those who speak and understand English. And probable to those who know how to read and write English as well.
My client wanted me to illustrate some of the buildings in the shape of letters to further the language angle.

SEPARATE BACKGROUND Can be Used Multiple Times

I was asked to paint the background separate from the foreground so they can use it for other covers that we are currently working on.

Adding ELEMENTS

This is a challenge because as I’m painting it’s hard to control values and colors but here they are combined.

Final Cover Art

This is the final illustration, by me, Will Terry, with the cover graphics. Turned out pretty well.

ONLINE CHILDREN’S ILLUSTRATION CLASS – SOLD OUT

Online Children’s Illustration Class – Update

Jake and I are so pleased that our FULL class has SOLD OUT – but we still have the LITE class available for $150. We are humbled to realize that artists all over the world trust us to share what we’ve learned about creating illustrations for stories like children’s books and comics. What is possible today wasn’t possible only a few years ago and it is my belief that we will find learning online more and more common in the coming years. I believe that is why FolioAcademy is doing so well. To think that we can broadcast from our little town in Utah USA to anywhere in the world is mind blowing and proves that if you work hard and dream BIG you can do it! The little map above shows how spread out our current enrollment is to date – but it’s still growing!

FAQ’s:

How long will I be able to purchase the LITE version of the class? We will keep the video only version of this class available until July 10th 2013- the last day of the LIVE class. If you want to watch all of these classes – get the details by clicking here.

What format will the LITE class be in? The LITE version of the class will be in an MP4 or WMV file or both.

If I buy the LITE class how long can I view it? If you purchase the LITE class you will be given a download link to have the complete video files on your computer for as long as you like.

Will I get any feedback with the LITE version? No – we produced two price points to account for the time we will spend with FULL version participants – the LITE class will deliver the recorded version of the FULL class without the critiques, class questions, draw-overs, and skype call.

What materials will I need for either the LITE or FULL class? The assignments we will give will all require drawing instruments like copy paper and pencils (or tablet with drawing program). Adding color to your assignment is optional. You could use Acrylic, Oil, Pastel, Watercolor, Gouche, Ink, or Digital. I advise my students to avoid colored pencil unless it’s mixed with an aqueous media like Watercolor because it takes a tremendous amount of time to build up color while controlling texture. Most illustrators avoid it as a stand alone medium for this reason.

If you have any other questions pertaining to the class I welcome them and will add them to this list if they are pertinent to participants.

Story Art Class for the Picture Book Illustrators

I, Folio Academy Artist/Instructor, Will Terry & Jake Parker will teach a Story Art Class

We are making a list and will give advanced notice to those of you who want to sign up. Simply leave your email address in the comments section below or email me privately and I’ll put you on the list. These people will get first crack at the sign up when we launch the website. No obligation however if you’re on the list – you will just get an email with the link to the class site.

Ok – so here’s the info:

I’m going to be team teaching this class with Jake Parker! THE JAKE PARKER! This guy is amazing – he’s worked on feature films and comics as well as picture books – not to mention coming off of an amazing Kickstarter raising $85,000 for his Antler Boy book! (Don’t tell anyone – but I’m more excited to learn from him probably than anyone else!)

Where: On your computer
When: Every Mon. and Wed. at 7:00PM – 9:00PM MST Starting June 10th and ending July 10th
Duration: 5 weeks = 10 classes
How much? This will be announced on the website but it will be a fraction of what a college class costs and I think extremely reasonable for what you will get.

Each class will be recorded and you will be able to watch it at your convenience – so if you have to miss a class you can still watch the presentation although you will miss out on asking questions.

In addition you will get a follow up Skype call at the end of the class to go over anything you want -concerning your work or portfolio.

Each class has been carefully thought out and the schedule will be posted on the website.

I’m just bursting – this is going to be so much fun!

How to become a Children’s Book Illustrator

Becoming A Children’s Book Illustrator

Artist Will Terry answers questions from a fellow artist in Serbia. 

In the video above I answer some questions from a fellow artist in Serbia who is trying to break into the children’s book market.

I think many artists can relate to his frustrations and challenges in the quest to becoming a children’s book illustrator, so by answering him with this video, hopefully I’m also speaking to a much broader audience. I know I get long winded but if you’re working on some art just let it play in the background and perhaps some of what I say will resonate with you. Also – feel free to disagree – I welcome differing opinions so others can have more to think about.

Did I say Serbia? That’s right, we have recently acquired our first customer from Serbia that we know of. At FolioAcademy we are happy to help so many in so many different parts of the world. Serbia is the forty first country from which, people are using our easy online art courses. Thanks to the www we can learn from people any where in the world. We also get to compete with people anywhere in the world. There are a lot of brilliant artists out there, so stay sharp.

 

“SKELETON FOR DINNER” Coming Soon!

“Skeleton For Dinner” Is Finished!

Picture of Sample Page from "Skeleton for Dinner" art by Will Terry

I just finished the last illustration in my new book – “Skeleton for Dinner” by Margery Cuyler. It’s due out sometime before Halloween this next fall. I’ll definitely post links when it’s in stores. I had so much fun with this one! I love coming up with unique characters and Halloween?! Are you kidding me? I’ve always wanted to do a Halloween book!

I was really happy that my editors were OK with the idea of making “ghost” into a little girl instead of the typical predictable cartoonish ghost we’ve seen a million times. It was fun to render a character that doesn’t follow the same color rules that other objects follow. Skeleton was fun to design too because I felt he/she needed to be cute and not too scary.

After most of the paintings were finished I looked at skeleton and realized he/she just didn’t look cute enough without eyes. This was one of those decisions that of course didn’t make any sense academically – obviously a skeleton doesn’t have eye balls but for a children’s book character I questioned if he/she should have them. I contacted my editors and they thought about it too. In the end we all felt good about eye balls. Eye balls are a good thing. :)

I’m still in search of the perfectly illustrated picture book. I poured my heart and soul into this one. There are a few things I would change or explore a little further if given the chance – but I’m glad this one isn’t perfect. Wouldn’t it be scary to bowl or pitch a perfect game?…knowing the only direction is down from there?

 

IMAGINATION & VISUAL LITERACY CLASS

Artist Will Terry is still teaching.

I’m teaching a class called “Imagination & Visual Literacy” at UVU right now. I love this class. It’s all the good stuff. I think I learned more than my students in developing the curriculum. If you want to learn something, try teaching it.

The Assignment, Draw a cat.

Above is my attempt at the in-class assignment yesterday. Draw a cat looking out of a bedroom window and include 25 items in the room but put all of the emphasis on the cat in 45 min. Since it was a drawing – students couldn’t use color for emphasis which is one of the easiest ways to accomplish this task. High contrast and crisp lines were all they could use.

I drew the above image along with them on my iPad hooked to the LCD projector. I like creating problems that I would also like to solve – why should my students have all the fun?

TO IMPROVE YOUR ART WORK, COPY YOUR MENTOR’S!

Copy THE ARTWORK OF OTHERS TO IMPROVE YOUR OWN ART WORK!

In this video I discuss the fact that public schools didn’t prepare us to learn art (big surprise right?). The fact that there are rules in every creative field like writing, dance, music and yes – even sports… Why then do we often fail to apply the same rules to the visual arts? From public school through college many students report that they were never taught concrete rules to help them find the boundaries that focus their creative energy into successful drawings and paintings. In the video I give advice on what I think you should do, like copy your heroes to improve the quality of your own visual art.
No wonder so many students and artists are looking to FolioAcademy.com and analyze their favorite artist’s or mentor’s  artwork for tips and help.